Robert Norman reviews five short plays on immigration in the FRIGID festival.
A riot grrl musical take on Antigone channels her rage into action. Nicole Serratore reviews.
Loren Noveck finds this Royal Court production of Caryl Churchill “unresolved but oddly satisfying.”
Molly Grogan reviews Brian Parks’ new comedy that turns a profit from a lavish wit.
“Considerable trouble and considerable joy” in Encores! production of Big River. Lane Williamson reviews.
Basil Kreimendahl’s new play about Vietnam, memory and manhood. Loren Noveck reviews.
Mariah MacCarthy’s solo reveal. Molly Grogan reviews.
Kev Berry finds pain and commiseration in Yara Travesio’s crowded club performance.
Loren Novek reviews the transfer of Phyllida Lloyd’s The Tempest to St Ann’s Warehouse.
Wakka Wakka’s puppet musical slays American consumerism and Chinese stereotypes. Molly Grogan reviews.
Nicola Gunn moves through a moral conundrum. Dan O’Neil reviews.
Seth Simons reviews a touching, lively tribute to Willy Chevalier.
Belarus Free Theater focuses on the present while looking back at 2010. Molly Grogan reviews.
Philippe Quesne’s Vivarium Studio inflates its park of dreams at Under the Radar. Molly Grogan reviews.
Anisa George asks us where to draw the line between romantic and horrific. Robert Norman reviews.