Cheek by Jowl’s bully king looks uncomfortably familiar in New York. Molly Grogan reviews.
Amy Brady reviews Peter Richards’ complex exploration of women’s sexuality.
Dan O’Neil reviews Dan LeFranc’s newest play.
In The Builders Association’s alt-Oz, Jordan G. Teicher discovers there’s no place like phone.
New play, Alligator, by Hilary Bettis tries to get into the muck of human relationships
The New Group’s revival of Sweet Charity breathes contemporary life into a worthy musical. Lane Williamson reviews.
You can’t go home again in Primary Stages’ revival. Alison Durkee reviews.
Dan Gordon’s stage adaptation of the Academy Award winning film stars Molly Ringwald. Juliet Hindell discovers it’s still a tear-jerker.
Irish Repertory’s revival offers welcome, if not wholly effective, escapism. Lane Williamson reviews.
John Fleck crashes off a hairpin turn into hyper-reality. Molly Grogan reviews.
Hansol Jung’s story of migrant identities raises timely questions for Robert Norman.
Katie Ebner-Landy is charmed by Finding Fellini, but wishes it could have been more.
Gabe Cohn yearns for mixed doubles in Andy Bragen’s tennis-inspired comedy.
Patrick Maley reviews “a rare and special treat.”
Jordan G. Teicher reviews the newest poetry performance by DarkMatter.