Loren Noveck reviews a play about its own impossibility to be, in the face of the impossibly huge challenge of climate change.
Loren Noveck and Molly Grogan review the newest immersive experience by Third Rail Projects, backstage at Lincoln Center.
Oskar Eustis takes on the would-be iron-fisted ruler with a heavy, heavy hand. Gabe Cohn reviews.
Kirsten Childs’ larger than life heroine does some serious booty-smacking. Dan O’Neil reviews.
Activism, terrorism, and Turkish politics shape this Performative Essay starring two tortoises
Molly Grogan reviews Martyna Majok on privilege, disabilities and the pursuit of happiness, in Jersey.
Seth Simons finds Matthew Perry’s play “thoroughly average,” to be generous.
Clare Lizzimore gets in the head of a woman trying to hold herself together. Tom Wicker reviews.
Christina Masciotti examines the hurdles facing the current generation of war veterans. Loren Noveck reviews.
Molly Grogan reviews Sinking Ship Productions’ adaptation of the Kafka short story.
Gabe Cohn reviews the NYC premiere of Jon Brittain’s Olivier winner.
Lane Williamson feels spun out by Hamish Linklater’s turntable of acting moments.
Loren Noveck and Molly Grogan discuss two sections of Mfoniso Udofia’s 9-part cycle about a Nigerian-American family.
Molly Grogan visits Enda Walsh’s city of ghosts.
Patrick Maley enjoys the snacks, not so much the drama, in Target Margin’s revival.