Kev Berry gets frustrated with Neil Koenigsberg’s play about gender identity set in Hollywood.
Robert Norman reviews Carl Holder’s multi-generational study of masculinity and inheritance.
Loren Noveck reviews Henry Naylor’s pair of one-acts about gender and violence in the Middle East.
Alison Durkee reviews Kate Hamill’s fresh adaptation of a 19th century classic.
Kev Berry reviews Zayd Dohrn’s play about Muslim American identities.
Rearranging the furniture: Lane Williamson reviews Martin Sherman’s new play at the Public Theater.
Docudrama about mill worker/activist Ella May Wiggins gives a glimpse into labor history
Alison Durkee reviews Jen Silverman’s moody riff on the Brontë sisters’ women.
The future is now, maybe. Seth Simons reviews.
Robert Lepage takes it home. Molly Grogan reviews.
Loren Noveck reviews Julia Jarcho’s fairytale/horror story inspired by archetypal fears and a little Gogol.
Bleary-eyed, late night conversation of comics, sexuality, and connection in Noah Mease’s Omega Kids. Nicole Serratore reviews.
Gabe Cohen reviews The Debate Society’s new play, connecting two different Chicago world’s fairs.
Dan O’Neil reviews Rachel Bonds’ “nighttime play with songs.”
The Assembly looks back on 1960’s protest and action in HOME/SICK.