Nicole Serratore reviews Sam Gold’s bold reimaging of the Tennessee Williams’ classic
August Wilson’s voice in Jitney matters now more than ever. Gabe Cohn reviews.
Dear Evan Hansen, a new musical by Pasek & Paul, speaking to the invisible teen in all of us.
Chazz Palminteri’s nostalgic trip to 1960’s New York is set to music, with Robert De Niro and Jerry Zaks at the helm
Molly Grogan reviews Hamilton ahead of its arrival in London.
Across-the-board uncertainty renders this Cherry Orchard unreadable
Simon Stephens’ new play turns a May-December romance on its head.
Shaking the blues away at Christmas at the Holiday Inn
Simon McBurney provides an aural rollercoaster and intellectual whiplash with The Encounter
“Blood-spattered satires of über-masculinity”: Nicole Serratore review the musical adaptation of Bret Easton Ellis’ novel.
“Worth celebrating”: Nicole Serratore reviews the new Broadway musical with an all-female creative team.
“A fantastical tale about a family who live forever that does not deliver the on-stage magic needed to make this musical immortal.”
Forest Whitaker excellently captures his character’s desperate need for an audience.
Succeeding in evoking the beauty and the hell of a young man’s coming-of-age.
Jordan G. Teicher sees a man step into the Jack Black-est of Jack Black’s shoes.