On sex, death, and decadence.
On tension and the claustrophobic potential of theatre.
On Hogarth and collaboration.
On football and national identity.
On Mike Leigh, Ecstasy and finding her voice.
On sex, climate, and feeling contemporary.
On directing Tennessee Williams.
On audience choice and writing away from herself.
On practicalities, abstractions and directing Fatherland.
On Toneelgroep Amsterdam and “bad-boy avant-gardism”.
On the plays of Graham Greene and Bush BEE.