Costume for art’s sake.
Dance and incarceration.
Pinter’s portrayal of torture re-examined in a post-9/11 world.
The Theatre of Carlo Goldoni.
Ibsen in Wagner territory.
Exploring autobiographical theatre.
The evolution of Ibsen’s art.
The relationship between poetry and theatre.
Director Kate McGregor on staging Mamet’s radio plays.
An Edinburgh preview of sorts.
Director Henry Bell on Victorian Farce and John Maddison Morton.
The campaign to save a unique London venue.
Michael Pinchbeck on endings and exits.
Bent Architect on making theatre about mental illness.
Why Glee is good for theatre.