In the rehearsal room for Open Court Collaboration.
The Royal Court marks the 40th anniversary of Beckett’s elliptical text.
Is artistic space detrimental or vitalising to the potency of carnival?
Penny Arcade on radicalism and neo-burlesque.
On an authentic account of the lost event.
Origins, traditions and the radical.
How is critical discourse keeping pace with contemporary theatre?
Space to dream of monsters.
Theatre and the London Film Festival.
A masterclass in horror on stage.
An address by Howard Shalwitz.
Wooster Group, Royal Shakespare Company and Dmitry Krymov.
Poetry, puppetry, meaning… and other riddles.
Theatre and performance in uncertain times.
Red Balloons and Rites of Passage.