How do you write? At a desk? In bed? Lydia Thomson on the creative benefits of not sitting still.
Amber Massie-Blomfield on austerity, audience engagement, and ‘guerrilla gentrification.’
Chris McCabe goes in search of the dead poets of West Norwood Cemetery.
History does not just belong to historians: putting the First World War on stage.
On the role of storytelling in Mr Burns, Idomeneus and Adler & Gibb.
Ben Walters explores an elusive genre.
Andy Field on Deborah Pearson’s The Future Show and Christopher Brett Bailey’s THIS IS HOW WE DIE.
A.E. Dobson on the application of narrative to human tragedy.
A look at Tate Britain’s new exhibition exploring images of ruins in art.
A.E Dobson on Rodney Ascher’s documentary of fandom and patterns, Room 237.
Gareth Damian-Martin on J.G Ballard, John Cage, performance and the novel.
Lacan, video-gaming and the rise of the interactive text.
Duška Radosavljević on a British vs. a European approach to adaptation.
Breaking down binaries and finding new vocabularies.
The dramaturgy of Edward II.