Director Henry Bell on Victorian Farce and John Maddison Morton.
The campaign to save a unique London venue.
Michael Pinchbeck on endings and exits.
Bent Architect on making theatre about mental illness.
Why Glee is good for theatre.
A poet’s apologetic journey into immersive theatre.
Might we escape the human need for stories to order our lives.
What or how much can be said without words?
Rajni Shah on her new musical Glorious, intervention, and frivolity.
Art must be “a passionate, individual vision tailored for no one in particular.”
A madness is sweeping through world theatre.