Remains thoroughly caffeinated: Simon Gwynn reviews Philip Ridley’s new series of six monologues.
A revival of ‘Z-Cars’ writer John Hopkins’ 1968 psychological thriller shows how much times have changed.
Fine-tuned absurdity: Simon Gwynn reviews the return of David Grieg’s stage adaptation of Dr Seuss to the Old Vic.
Simon Gwynn reviews Abigail Hood’s new play about childhood abuse and running away from home.
Raucous, colourful and exhilarating: Simon Gwynn reviews Matthew Dunster and Timothy Sheader’s al fresco adaptation of Dickens’ classic novel.
A frightening picture, but not one it feels we’re on the verge of entering: Simon Gwynn reviews Theatre Ad Infinitum’s Light on its return to Battersea Arts Centre.