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Simon Gwynn



Articles by Simon Gwynn


Review: My Voice Was Heard But It Was Ignored at Sheffield Theatres
3 December 2021
Reviews • Reviews • Sheffield

Review: My Voice Was Heard But It Was Ignored at Sheffield Theatres

29-30 November
By Simon Gwynn

Talking it out: Simon Gwynn reviews Nana-Kofi Kufuor’s locked room drama about internalised racism.


Review: Good Grief at HOME, Manchester
15 November 2021
Reviews • Manchester • National

Review: Good Grief at HOME, Manchester

11-13 November, then touring
By Simon Gwynn

It’s your funeral: Simon Gwynn reviews a clown show made by Ugly Bucket to be performed at a friend’s memorial service.


Review: Screwdriver at Sheffield Theatres
6 June 2021
Reviews • National • Sheffield

Review: Screwdriver at Sheffield Theatres

By Simon Gwynn

‘Trapped by circumstances’: Simon Gwynn reviews Elin Schofield and Eve Cowley’s monologue about a female prison guard.


Review: Jury Duty by Exit Productions
1 July 2020
Reviews

Review: Jury Duty by Exit Productions

By Simon Gwynn

Crime and punishment: Simon Gwynn takes part in an interactive adventure that explores how justice is done online.


Review: Scrounger at Finborough Theatre
12 January 2020
Reviews • OWE & Fringe

Review: Scrounger at Finborough Theatre

7th January - 1st February
By Simon Gwynn

Broken spokes: Simon Gwynn reviews Athena Stevens’ ‘amusing, provocative’ exploration of ‘the shit disabled people have to deal with day in, day out’.


Review: Candida at Orange Tree Theatre
28 November 2019
Reviews

Review: Candida at Orange Tree Theatre

By Simon Gwynn

‘The Twilight of its day’: Simon Gwynn writes on Paul Miller’s production of George Bernard Shaw’s ‘125-year-old rom com’.


Review: Spiderfly at Theatre 503
17 November 2019
Reviews • OWE & Fringe

Review: Spiderfly at Theatre 503

By Simon Gwynn

Caught in the web: Simon Gwynn writes on John Webber’s new play exploring male violence.


Review: Amsterdam at Orange Tree Theatre
14 September 2019
Reviews • OWE & Fringe

Review: Amsterdam at Orange Tree Theatre

By Simon Gwynn

“Chaotic, rewarding and tiring”: Simon Gwynn writes on Maya Arad Yasur’s surreal narrative of Amsterdam’s hidden history.


Review: Hansard at National Theatre
5 September 2019
Reviews • West End & Central

Review: Hansard at National Theatre

By Simon Gwynn

Beat ’em up: Simon Gwynn writes on a pugnacious but uneven Tory party satire.


Review: The Future at Battersea Arts Centre
16 June 2019
Reviews • OWE & Fringe

Review: The Future at Battersea Arts Centre

12-29 June
By Simon Gwynn

Alarming prophecies: Simon Gwynn writes a dystopian diary in response to Little Bulb’s show exploring Artificial Intelligence.


Review: Going Through at the Bush Theatre
6 April 2019
Reviews • OWE & Fringe

Review: Going Through at the Bush Theatre

By Simon Gwynn

‘The stage starts to feel like a living entity’: Simon Gwynn reviews Omar Elerian’s deft production of Estelle Savasta’s play about child migration.


Review: A Lesson From Aloes
8 March 2019
Reviews • OWE & Fringe

Review: A Lesson From Aloes

27 February - 23 March
By Simon Gwynn

Simon Gwynn reviews Janet Suzman’s claustrophobic revival of Athol Fugard’s 1978 play, which explores ‘the personal toll of political events’.


Review: Cinderella: A Wicked Mother of a Night Out! at London Welsh Centre
16 December 2018
Reviews

Review: Cinderella: A Wicked Mother of a Night Out! at London Welsh Centre

By Simon Gwynn

Can I lick your face?: Simon Gwynn reviews Not Too Tame’s ‘raucous and gratifying reinvention of panto’.


Review: I’m Not Running at the National Theatre
12 October 2018
Reviews • West End & Central

Review: I’m Not Running at the National Theatre

Until 31st January 2019
By Simon Gwynn

Uncanny valley: David Hare’s satire of Labour politics might be set in the present day, but it belongs in another era.


Review: The Outsider at Print Room
21 September 2018
Reviews • OWE & Fringe

Review: The Outsider at Print Room

Until 20th October
By Simon Gwynn

Pleasure-seeking animals: Ben Okri’s play is a visceral, accessible take on Albert Camus’s existentialist classic.


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