Rosemary Waugh, Author at Exeunt Magazine

17 February 2017

Review: Spillikin at the Redgrave Theatre, Bristol

Redgrave Theatre ⋄ 16 February 2017

By Rosemary Waugh

24-fingered 24-hour care: Rosemary Waugh reviews Pipeline Theatre’s show about robot carers.

17 February 2017

Review: Workshy at IBT17

Winston Theatre ⋄ 11 - 12 February 2017

By Rosemary Waugh

State of the nation theatre (with a side of chips): Rosemary Waugh reviews Katy Baird’s performance of Workshy as part of IBT17.

15 February 2017

Guest Review: The House of Bernarda Alba at the Manchester Royal Exchange

Royal Exchange ⋄ 3 - 25 February 2017

The truly transformative nature of Graeae’s approach can’t be underestimated: Joe Turnbull from Disability Arts Online reviews a new production of Lorca’s play using an all-female, D/deaf and disabled cast.

14 February 2017

Reviews • Bristol

Review: Because of Hair at IBT17

Arnolfini ⋄ 10 February 2017

By Rosemary Waugh

Your body is yours, take it: Rosemary Waugh reviews Vivian Chinasa Ezugha’s performance at IBT17.

14 February 2017

Reviews • Bristol

Review: The Girl and the Giraffe at 1532 Performing Arts Centre, Bristol

12 - 14 February 2017

By Rosemary Waugh

Hearts and minds: Rosemary Waugh reviews a new children’s show about depression.

12 February 2017

Reviews • Bristol

Review: Vesper Time at IBT17

Arnolfini ⋄ 9 - 10 February 2017

By Rosemary Waugh

Carpe Dieming: Rosemary Waugh reviews Stacy Makishi’s life-affirming show at In Between Time 2017.

23 January 2017

Features • Q&A and Interviews

Carly Wijs: “It’s very important that we have children that can think for themselves”

By Rosemary Waugh

As US/Them opens at the National Theatre, writer and director Carly Wijs talks to Rosemary Waugh about sex, censorship and making theatre for children.