Love and land: Rosemary Waugh reviews Peter Gill’s painfully realistic picture of a relationship
A discombobulatingly epic bit of stage design: Rosemary Waugh reviews the theatre version of Astro Boy
Sexting with James Joyce: Rosemary Waugh reviews My Kind of Michael and Your Sexts Are Shit, as part of NOW18.
Rosemary Waugh reviews the premiere of Simon Longman’s brutal, bloody and foreboding rural play.
Bursting bubbles: Rosemary Waugh reviews Sarah McDonald-Hughes’ play about growing up fast
Community, up to a point: Rosemary Waugh reviews Gecko’s new work on being ‘wedded to society’.
Lots of knots: Rosemary Waugh reviews the arrival of Andrea Dunbar’s play at the Royal Court.
A cult hit: Anoushka Warden’s debut monologue is bold, brash and baggy.
Sunshine and suicide: Rosemary Waugh reviews the English National Ballet’s performance of Nureyev’s take on Shakespeare.
You’re being watched: Rosemary Waugh reviews Anders Lustgarten’s new play about Elizabethan intrigue.
Put down your iPhones: Rosemary Waugh on Ivo van Hove’s multi-channel story of a news anchorman driven to breaking point.
Overthinking overthinking: Rosemary Waugh reviews the UK touring production of People, Places & Things.
People watching: Rosemary Waugh reviews the UK tour of Clod Ensemble’s work placing humans behind glass.
I mean, at least you’d have a woman’s voice… Adelaide Waldrop and Brendan Macdonald record their post-show discussion about David Ives’ play.
Tamara Harvey is artistic director at Theatr Clwyd, which combines a formidable artistic reputation with a location in rural Wales. She talks Chekhovian humour, working with dead authors, and why theatre and ice rinks mix.