War and peace: Rosemary Waugh reviews the Maly Theatre of St Petersburg performing Vasily Grossman’s epic work
Rosemary Waugh
Articles by Rosemary Waugh
25 April 2018
Reviews • OWE & Fringe
Review: The Writer at the Almeida
14 April - 26 May 2018
By Rosemary Waugh
Right-sized reactions to the world: Rosemary Waugh reviews Ella Hickson’s The Writer
23 April 2018
Reviews • OWE & Fringe
Review: Little Eyolf at the Print Room
Until 21 April 2018
By Rosemary Waugh
The Ibsen-ness of Ibsen: Rosemary Waugh reviews the National Theatre of Norway’s production of Little Eyolf
16 April 2018
Reviews • OWE & Fringe
Review: Lady Macbeth of Mtsensk at the Royal Opera House
By Rosemary Waugh
Despicable acts: Rosemary Waugh reviews Shostakovich’s opera, based on the same short story that inspired William Oldroyd and Alice Birch’s recent film.
15 April 2018
Reviews • West End & Central
Review: Instructions for Correct Assembly at the Royal Court
7 Apr - 19 May 2018
By Rosemary Waugh
If Amazon Prime delivered families: Rosemary Waugh reviews Thomas Eccleshare’s new play about humanoids and parenting.
2 April 2018
Reviews • London Theatre • Reviews
Review: Free Falling by Hagit Yakira
28 March 2018
By Rosemary Waugh
Don’t panic: Rosemary Waugh reviews Free Falling, a double bill of dance works by Hagit Yakira
14 March 2018
Reviews • OWE & Fringe
Review: Foreign Body at Vault Festival 2018
7 - 11 March 2018
By Rosemary Waugh
Mirrors and warriors: Rosemary Waugh reviews Imogen Butler-Cole’s work about sexual violence and healing
8 March 2018
Reviews • West End & Central
Review: Macbeth at the National Theatre
26 February - 12 May 2018
By Rosemary Waugh
Shopping bags and parcel tape: Rosemary Waugh reviews Rufus Norris’s after-the-war Shakespeare.
7 March 2018
Reviews • West End & Central
Review: Fanny & Alexander at the Old Vic Theatre
21 February - 14 April 2018
By Rosemary Waugh
Farewell, puritanism: Rosemary Waugh reviews the stage adaptation of Ingmar Bergman’s famous film.
5 March 2018
Reviews • OWE & Fringe
Review: Körper at Sadler’s Wells
1 - 3 March 2018
By Rosemary Waugh
Bodies for sale: Rosemary Waugh reviews Sasha Waltz & Guests’ human-focused dance work
26 February 2018
Reviews • OWE & Fringe
Review: Ad Libido at Vault Festival 2018
21 - 25 February 2018
By Rosemary Waugh
Come for the fringe theatre, stay for the free lube: Rosemary Waugh reviews Fran Bushe’s show about Female Sexual Dysfunction
21 February 2018
Reviews • OWE & Fringe
Review: Juliet and Romeo at the Battersea Arts Centre
14 - 24 February, and then until 3 March at The Place
By Rosemary Waugh
The aches and pains of long-term love: Rosemary Waugh reviews Lost Dog’s new show about Shakespeare’s lovers all grown up.
17 February 2018
Reviews • West End & Central
Review: Girls & Boys at the Royal Court
8 February - 17 March 2018
By Rosemary Waugh
Feeling blue: Rosemary Waugh reviews the premiere of Dennis Kelly’s one-woman play.
14 February 2018
Reviews • West End & Central
Review: The York Realist at the Donmar Warehouse
8 February - 24 March 2018
By Rosemary Waugh
Love and land: Rosemary Waugh reviews Peter Gill’s painfully realistic picture of a relationship
13 February 2018
Reviews • OWE & Fringe
Review: Pluto at the Barbican
8 - 11 February 2018
By Rosemary Waugh
A discombobulatingly epic bit of stage design: Rosemary Waugh reviews the theatre version of Astro Boy