Community, up to a point: Rosemary Waugh reviews Gecko’s new work on being ‘wedded to society’.
Lots of knots: Rosemary Waugh reviews the arrival of Andrea Dunbar’s play at the Royal Court.
A cult hit: Anoushka Warden’s debut monologue is bold, brash and baggy.
Sunshine and suicide: Rosemary Waugh reviews the English National Ballet’s performance of Nureyev’s take on Shakespeare.
You’re being watched: Rosemary Waugh reviews Anders Lustgarten’s new play about Elizabethan intrigue.
Put down your iPhones: Rosemary Waugh on Ivo van Hove’s multi-channel story of a news anchorman driven to breaking point.
Overthinking overthinking: Rosemary Waugh reviews the UK touring production of People, Places & Things.
People watching: Rosemary Waugh reviews the UK tour of Clod Ensemble’s work placing humans behind glass.
I mean, at least you’d have a woman’s voice… Adelaide Waldrop and Brendan Macdonald record their post-show discussion about David Ives’ play.
Tamara Harvey is artistic director at Theatr Clwyd, which combines a formidable artistic reputation with a location in rural Wales. She talks Chekhovian humour, working with dead authors, and why theatre and ice rinks mix.
All the colours of the rainbow: Rosemary Waugh reviews Tamara Harvey’s visually beautiful production of Uncle Vanya.
Please don’t send flowers: Rosemary Waugh reviews a revival of Arthur Kopit’s play about recovering from a stroke.
This is how we do business: Rosemary Waugh reviews the London premiere of J. T. Rogers’ play about the Oslo Accords.
It’s like eyeliner, only cooler: Rosemary Waugh reviews Tristan Bernays’ new play about the woad-wearing warrior queen.
The many faces of Lady Macbeth: Rosemary Waugh reviews an artful exploration of Shakespeare’s shadowy matriarch.