You have nothing to fear: Rosemary Waugh reviews Scottish Dance Theatre with a work inspired by Robert Mapplethorpe.
Rosemary Waugh
Articles by Rosemary Waugh
24 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh Review: Black and White Tea Room at Assembly Rooms
Until 25 August 2018
By Rosemary Waugh
A surprising encounter: Rosemary Waugh writes on Cha Hyun Suk’s play.
20 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh Review: The Spinners at Dance Base
13 - 19 August 2018
By Rosemary Waugh
Weaving history: Rosemary Waugh reviews a piece of dance-theatre based on the Greek mythological characters.
19 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh Review: Harpy at Underbelly Cowgate
Until 26 August 2018
By Rosemary Waugh
Collector of stuff: Rosemary Waugh reviews Su Pollard at the Edinburgh Fringe.
19 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh Review: Drip Feed at Assembly George Square
Until 26 August 2018
By Rosemary Waugh
Saving the bears: Rosemary Waugh reviews Karen Cogan’s unsettling Cork-set monologue.
19 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh Review: Giselle at Dance Base
3 - 19 August 2018
By Rosemary Waugh
Zombie dancing: Rosemary Waugh reviews Ballet Ireland’s new version of the classic ballet.
17 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh Review: The Sauna at Summerhall
Until 26 August 2018
By Rosemary Waugh
One woman and an elf: Rosemary Waugh reviews a Finnish play about the sauna.
16 August 2018
Reviews • West End & Central
Review: Emilia at Shakespeare’s Globe
10 August – 1 September 2018
By Rosemary Waugh
Reclaiming a poet: Rosemary Waugh reviews Morgan Lloyd Malcolm’s new play about Emilia Bassano.
9 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh Review: This is the Title at Dance Base
3 - 19 August 2018
By Rosemary Waugh
Silence, breathing: Rosemary Waugh reviews Ima Iduozee at the Edinburgh Fringe.
7 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh Review: Cock, Cock… Who’s There? at Summerhall
Until 26 August 2018
By Rosemary Waugh
Claim, revel, destroy, subvert, love: Rosemary Waugh reviews Samira Elagoz’s verbatim show about rape and men’s reactions to her.
5 August 2018
Reviews • Edinburgh
Edinburgh Review: Waiting for Godot at the Edinburgh Lyceum
3 - 12 August 2018
By Rosemary Waugh
Friendship and doodling: Rosemary Waugh reviews Druid Theatre’s staging of Beckett at the Edinburgh International Festival.
3 August 2018
Reviews • West End & Central
Review: Othello at Shakespeare’s Globe
Until 13 October 2018
By Rosemary Waugh
Just your average guy… until he’s not: Rosemary Waugh reviews Claire van Kampen’s Othello.
1 August 2018
Reviews • West End & Central
Review: The Lehman Trilogy at the National Theatre
Until 20 October 2018
By Rosemary Waugh
American dreaming: Rosemary Waugh reviews the story of the Lehman brothers.
24 July 2018
Reviews • OWE & Fringe
Review: Isabeau at Opera Holland Park
Until 28 July 2018
By Rosemary Waugh
Cloak and danger: Rosemary Waugh review Opera Holland Park’s revival of Mascagni’s version of the Lady Godiva myth.
30 June 2018
Reviews
Review: The Winter’s Tale at Shakespeare’s Globe
22 June – 14 October 2018
By Rosemary Waugh
Shake a leg: Rosemary Waugh reviews Blanche McIntyre’s The Winter’s Tale at Shakespeare’s Globe.