The waves are rolling in or moving out: Rosemary Waugh reviews Katie Mitchell and Alice Birch’s latest collaboration.
Rosemary Waugh
Articles by Rosemary Waugh
28 September 2018
Reviews • Dublin
Review: Hamlet at the Gate Theatre, Dublin
21 September - 27 October 2018
By Rosemary Waugh
Let the doors be locked: Rosemary Waugh reviews Yaël Farber’s Hamlet, starring Ruth Negga.
17 September 2018
Reviews • OWE & Fringe
Review: Pure Dance at Sadler’s Wells
12 - 16 September 2018
By Rosemary Waugh
Listen up: Rosemary Waugh reviews a six-part programme led by Natalia Osipova.
5 September 2018
Reviews • OWE & Fringe
Review: Dance Nation at the Almeida
27 August - 6 October 2018
By Rosemary Waugh
Blood, sweat and more blood: Rosemary Waugh reviews the UK premiere of Clare Barron’s play about 13-year-old competitive dancers.
1 September 2018
Reviews • West End & Central
Review: Velvet Petal at Southbank Centre
31 August - 1 September 2018
By Rosemary Waugh
You have nothing to fear: Rosemary Waugh reviews Scottish Dance Theatre with a work inspired by Robert Mapplethorpe.
24 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh Review: Black and White Tea Room at Assembly Rooms
Until 25 August 2018
By Rosemary Waugh
A surprising encounter: Rosemary Waugh writes on Cha Hyun Suk’s play.
20 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh Review: The Spinners at Dance Base
13 - 19 August 2018
By Rosemary Waugh
Weaving history: Rosemary Waugh reviews a piece of dance-theatre based on the Greek mythological characters.
19 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh Review: Harpy at Underbelly Cowgate
Until 26 August 2018
By Rosemary Waugh
Collector of stuff: Rosemary Waugh reviews Su Pollard at the Edinburgh Fringe.
19 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh Review: Drip Feed at Assembly George Square
Until 26 August 2018
By Rosemary Waugh
Saving the bears: Rosemary Waugh reviews Karen Cogan’s unsettling Cork-set monologue.
19 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh Review: Giselle at Dance Base
3 - 19 August 2018
By Rosemary Waugh
Zombie dancing: Rosemary Waugh reviews Ballet Ireland’s new version of the classic ballet.
17 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh Review: The Sauna at Summerhall
Until 26 August 2018
By Rosemary Waugh
One woman and an elf: Rosemary Waugh reviews a Finnish play about the sauna.
16 August 2018
Reviews • West End & Central
Review: Emilia at Shakespeare’s Globe
10 August – 1 September 2018
By Rosemary Waugh
Reclaiming a poet: Rosemary Waugh reviews Morgan Lloyd Malcolm’s new play about Emilia Bassano.
9 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh Review: This is the Title at Dance Base
3 - 19 August 2018
By Rosemary Waugh
Silence, breathing: Rosemary Waugh reviews Ima Iduozee at the Edinburgh Fringe.
7 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh Review: Cock, Cock… Who’s There? at Summerhall
Until 26 August 2018
By Rosemary Waugh
Claim, revel, destroy, subvert, love: Rosemary Waugh reviews Samira Elagoz’s verbatim show about rape and men’s reactions to her.
5 August 2018
Reviews • Edinburgh
Edinburgh Review: Waiting for Godot at the Edinburgh Lyceum
3 - 12 August 2018
By Rosemary Waugh
Friendship and doodling: Rosemary Waugh reviews Druid Theatre’s staging of Beckett at the Edinburgh International Festival.