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Rosemary Waugh


Rosemary Waugh

Rosemary is a freelance arts and theatre journalist, who regularly writes for Time Out and The Stage.


Articles by Rosemary Waugh


Review: A Slight Ache/The Dumb Waiter at Harold Pinter Theatre
9 February 2019
Reviews

Review: A Slight Ache/The Dumb Waiter at Harold Pinter Theatre

By Rosemary Waugh

Radio dramas and foley secrets: Rosemary Waugh writes on an ingenious staging of two vintage Pinters.


Review: Cost of Living at Hampstead Theatre
1 February 2019
Reviews • OWE & Fringe

Review: Cost of Living at Hampstead Theatre

24 Jan – 9 March
By Rosemary Waugh

‘Meticulous in depicting the reality of being a body dependent on another body to care for it’: Rosemary Waugh writes on Martyna Majok’s ‘painstakingly realistic’ play.


Review: The Unreturning at Theatre Royal Stratford East
19 January 2019
Reviews • OWE & Fringe

Review: The Unreturning at Theatre Royal Stratford East

16 January - 2nd February
By Rosemary Waugh

‘Beautifully considered visual language’: Rosemary Waugh writes on Anna Jordan’s new play, which follows three soldiers returning from different wars.


Malaprop Theatre: “We didn’t want to make a show that would be One More Thing To Feel Shit About”
16 January 2019
Features

Malaprop Theatre: “We didn’t want to make a show that would be One More Thing To Feel Shit About”

By Rosemary Waugh

Malaprop Theatre’s approach mixes big ideas with bags of quirky warmth. They talk politics, Irish theatre, and collaborative working ahead of their stint at Vault.


Review: Hansel & Gretel at Royal Opera House
18 December 2018
Reviews

Review: Hansel & Gretel at Royal Opera House

By Rosemary Waugh

“Cook, stirring, until the misery has melted”: Rosemary Waugh’s review of the ROH’s opera takes the form of a very festive recipe.


Review: The Sun Line at Lilian Baylis Studio
16 December 2018
Reviews

Review: The Sun Line at Lilian Baylis Studio

By Rosemary Waugh

‘Fifty shades of beige’: Rosemary Waugh reviews The Meyerhold Theatre Centre’s adaptation of Ivan Vyrypaev’s play about a couple arguing themselves round in circles


Review: Dick Whittington at Lyric Hammersmith
26 November 2018
Reviews • OWE & Fringe

Review: Dick Whittington at Lyric Hammersmith

17 Nov - 6 Jan
By Rosemary Waugh

Intrepid panto correspondent and newbie Londoner Rosemary Waugh reviews the bright lights of Jude Christian and Cariad Lloyd’s pantomime


Jess Latowicki: “I became really interested in what the expectations are for female artists”
13 November 2018
Features

Jess Latowicki: “I became really interested in what the expectations are for female artists”

By Rosemary Waugh

Rosemary Waugh chats to Jess Latowicki, one half of Made in China, about how their new show Super Duper Close Up draws inspiration from anxiety, feminism – and skincare.


Review: Mirabel at Ovalhouse
6 November 2018
Reviews • OWE & Fringe

Review: Mirabel at Ovalhouse

2 - 17 November 2018
By Rosemary Waugh

I won’t spoil the ending: Rosemary Waugh reviews Chris Goode’s post-apocalyptic story of a girl and her cat.


Review: The Wild Duck at the Almeida
24 October 2018
Reviews • OWE & Fringe

Review: The Wild Duck at the Almeida

15 October - 1 December 2018
By Rosemary Waugh

The lights are up: Rosemary Waugh reviews Robert Icke’s illuminating reimagining of Ibsen’s play.


Review: The Malady of Death (La Maladie de la Mort) at the Barbican
8 October 2018
Reviews • West End & Central

Review: The Malady of Death (La Maladie de la Mort) at the Barbican

3 - 6 October 2018
By Rosemary Waugh

The waves are rolling in or moving out: Rosemary Waugh reviews Katie Mitchell and Alice Birch’s latest collaboration.


Review: Hamlet at the Gate Theatre, Dublin
28 September 2018
Reviews • Dublin

Review: Hamlet at the Gate Theatre, Dublin

21 September - 27 October 2018
By Rosemary Waugh

Let the doors be locked: Rosemary Waugh reviews Yaël Farber’s Hamlet, starring Ruth Negga.


Review: Pure Dance at Sadler’s Wells
17 September 2018
Reviews • OWE & Fringe

Review: Pure Dance at Sadler’s Wells

12 - 16 September 2018
By Rosemary Waugh

Listen up: Rosemary Waugh reviews a six-part programme led by Natalia Osipova.


Review: Dance Nation at the Almeida
5 September 2018
Reviews • OWE & Fringe

Review: Dance Nation at the Almeida

27 August - 6 October 2018
By Rosemary Waugh

Blood, sweat and more blood: Rosemary Waugh reviews the UK premiere of Clare Barron’s play about 13-year-old competitive dancers.


Review: Velvet Petal at Southbank Centre
1 September 2018
Reviews • West End & Central

Review: Velvet Petal at Southbank Centre

31 August - 1 September 2018
By Rosemary Waugh

You have nothing to fear: Rosemary Waugh reviews Scottish Dance Theatre with a work inspired by Robert Mapplethorpe.


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