Exeunt
  • Reviews
    • London Theatre
    • National
    • Performance
    • Dance
    • Opera
  • Features
    • Q&A and Interviews
    • Essays
    • Opinion
    • Artist-in-Residence
    • Critical Futures
    • Books
  • Performance
  • New York City
  • Podcasts
  • About Exeunt
    • Staff & Contributors
    • Contact Us

exeunt


magazine
  • Reviews
    • London Theatre
    • National
    • Performance
    • Dance
    • Opera
  • Features
    • Q&A and Interviews
    • Essays
    • Opinion
    • Artist-in-Residence
    • Critical Futures
    • Books
  • Performance
  • New York City
  • Podcasts
  • About Exeunt
    • Staff & Contributors
    • Contact Us

Rosemary Waugh


Rosemary Waugh

Rosemary is a freelance arts and theatre journalist, who regularly writes for Time Out and The Stage.


Articles by Rosemary Waugh


Edinburgh fringe review: The Claim by Tim Cowbury
17 August 2019
Reviews • Edinburgh Fringe 2019

Edinburgh fringe review: The Claim by Tim Cowbury

By Rosemary Waugh

Rosemary Waugh reviews Tim Cowbury’s performance in the form of an awkward convo in Summerhall courtyard.


Edinburgh fringe review: Macbeth by Cho-in Theatre
14 August 2019
Reviews • Edinburgh Fringe 2019

Edinburgh fringe review: Macbeth by Cho-in Theatre

By Rosemary Waugh

Power crazy: Rosemary Waugh writes on how Korean company Cho-in theatre turn Macbeth into a fierce metaphor for ambition.


Edinburgh fringe review: Monster by Yen-Cheng Liu
13 August 2019
Reviews • Edinburgh Fringe 2019

Edinburgh fringe review: Monster by Yen-Cheng Liu

By Rosemary Waugh

A white cube: Rosemary Waugh writes on a visual art-inspired performance by choreographer Yen-Cheng Liu.


Edinburgh fringe review: From the Top by Victor Fung
12 August 2019
Reviews • Edinburgh Fringe 2019

Edinburgh fringe review: From the Top by Victor Fung

By Rosemary Waugh

An imbalance of power: Rosemary Waugh writes on Victor Fung’s dance duet, and its shifting political context.


Review: The Night of the Iguana at Noel Coward Theatre
20 July 2019
Reviews • West End & Central

Review: The Night of the Iguana at Noel Coward Theatre

6 July - 28 September
By Rosemary Waugh

Weather patterns: Rosemary Waugh writes on James Macdonald’s production of Tennessee Williams’ ‘messy, weird’ play.


Review: Present Laughter at Old Vic
26 June 2019
Reviews • West End & Central

Review: Present Laughter at Old Vic

By Rosemary Waugh

Charisma and careerdom: Rosemary Waugh writes on Noel Coward’s slightly creaky comedy, starring Andrew Scott.


Arming an Armadillo
27 May 2019
Features • Q&A and Interviews

Arming an Armadillo

By Rosemary Waugh

Writer Sarah Kosar and director Sara Joyce talk about narratives of victimhood, female agency, and their new show Armadillo.


Review: Our Town at Regent’s Park Open Air Theatre
26 May 2019
Reviews • West End & Central

Review: Our Town at Regent’s Park Open Air Theatre

16th May - 8th June 2019
By Rosemary Waugh

“One happy, happy community”: Rosemary Waugh writes on the stiflling smalltown mundanities of Thornton Wilder’s play.


Review: Death of a Salesman at Young Vic Theatre
10 May 2019
Reviews • West End & Central

Review: Death of a Salesman at Young Vic Theatre

1st May – 13th July
By Rosemary Waugh

“There’s a definite gloss to this staging” – Rosemary Waugh writes on Marianne Elliott and Miranda Cromwell’s West End-ready take on Arthur Miller’s story.


Review: On the High Road by Clod Ensemble
28 April 2019
Reviews

Review: On the High Road by Clod Ensemble

24th-25th April
By Rosemary Waugh

Clod Ensemble’s visually striking, monochrome dance piece “captures the claustrophobic oddness of a house party”.


Review: Three Sisters at Almeida Theatre
18 April 2019
Reviews • West End & Central

Review: Three Sisters at Almeida Theatre

6 April - 1 June
By Rosemary Waugh

‘The kind of beauty that leaves you feeling a little hopeless’: Rosemary Waugh reviews Rebecca Frecknall’s production of Three Sisters.


Review: After Edward at Sam Wanamaker Playhouse
1 April 2019
Reviews

Review: After Edward at Sam Wanamaker Playhouse

March 20th - April 6th 2019
By Rosemary Waugh

Top Queers: Tom Stuart’s play joyfully brings together queer figures from across history, in a narrative sparked by Marlowe’s Edward II.


Simon Stone’s Medea (and Yerma)
10 March 2019
Features

Simon Stone’s Medea (and Yerma)

By Rosemary Waugh

“There’s a pervasive stench of exhaustion running though everything” – Rosemary Waugh writes on Simon Stone’s Medea, and why it spoke to her in a way that his Yerma didn’t.


ThisEgg: “We’re all just trying to keep each other going.”
26 February 2019
Features

ThisEgg: “We’re all just trying to keep each other going.”

By Rosemary Waugh

Rosemary Waugh interviews the young company behind a hit fringe show exploring trauma, clothes, and healing.


Review: Equus at Theatre Royal Stratford East
23 February 2019
Reviews • OWE & Fringe

Review: Equus at Theatre Royal Stratford East

By Rosemary Waugh

Ned Bennett’s subtle and physical production brings out ‘the sticky straw and steaming shit side of horses’, as represented in Peter Shaffer’s play, writes Rosemary Waugh.


  • Page 2 of 25
  • Previous
  • 1
  • 2 (current)
  • 3
  • 4
  • 5
  • 6
  • Next
  • Last
Features
  • Q&A and Interviews
  • Essays
  • Opinion
  • Podcast
Reviews
  • OWE & Fringe
  • West End & Central
  • National
  • NYC
  • Performance

exeunt

  • About Exeunt
  • Staff & Contributors
  • Contact Us
  • Subscribe