The world had been sad since Tuesday: Rosemary Waugh reviews Lara Foot’s new play about bipolar disorder and love.
The UK debut of Poyo Rojo presents a different version of ‘locker room talk’.
Once upon a time, I bought an ice rink… Rosemary Waugh reviews Suzanne Grotenhuis’s new show about heartbreak and ice-skates.
Lighting up: Rosemary Waugh reviews a new adaptation of Anton Chekhov’s On the Harmful Effects of Tobacco.
Snap your shag bands and dance to Steps: Rosemary Waugh reviews the Wardrobe Ensemble’s new show about New Labour.
‘Excellent’, ‘astonishing’, ‘devastating’ and all the rest: Rosemary Waugh reviews the return of Yael Farber’s Mies Julie to the Edinburgh Fringe.
Have you tried…? Rosemary Waugh reviews Rachel Bagshaw and Chris Thorpe’s show about living with chronic pain.
A crash, or a stubbornness: Rosemary Waugh reviews Zinnie Harris’s new version of Eugène Ionesco’s Rhinoceros at the EIF.
Rachel Bagshaw talks to Rosemary Waugh about creating The Shape of Pain, an Edinburgh Fringe show based on her experiences, and made in collaboration with Chris Thorpe.
Order, order: Rosemary Waugh reviews Lucy Kirkwood’s new play at the National Theatre
Beach combing: Rosemary Waugh reviews the 2017 Made in Bristol production.
Homecoming: Rosemary Waugh reviews a night of four work-in-progress plays by Welsh playwrights.
Bad sex, jiggly bits, and twenty-something omnishambles: Rosemary Waugh and Gillian Greer conduct an email chat about Touch and young women’s sexuality on stage.
Going round the houses: Rosemary Waugh reviews Helen Edmundson’s play about the British monarch.
Humans and history books: Rosemary Waugh reviews Taha at the Young Vic as part of the Shubbak Festival.