The world had been sad since Tuesday: Rosemary Waugh reviews Lara Foot’s new play about bipolar disorder and love.
Rosemary Waugh
Articles by Rosemary Waugh
14 August 2017
Reviews
Edinburgh Fringe Review: Un Poyo Rojo at Dance Base
Until 27 August 2017
By Rosemary Waugh
The UK debut of Poyo Rojo presents a different version of ‘locker room talk’.
11 August 2017
Reviews • Edinburgh Fringe 2017
Edinburgh Fringe Review: On Ice at Summerhall
Until 27 August 2017
By Rosemary Waugh
Once upon a time, I bought an ice rink… Rosemary Waugh reviews Suzanne Grotenhuis’s new show about heartbreak and ice-skates.
9 August 2017
Reviews • Edinburgh Fringe 2017
Edinburgh Fringe Review: Tobacco at Assembly George Square
Until 27 August 2017
By Rosemary Waugh
Lighting up: Rosemary Waugh reviews a new adaptation of Anton Chekhov’s On the Harmful Effects of Tobacco.
9 August 2017
Reviews • Edinburgh Fringe 2017
Edinburgh Fringe Review: Education, Education, Education at Pleasance Dome
Until 27 August 2017
By Rosemary Waugh
Snap your shag bands and dance to Steps: Rosemary Waugh reviews the Wardrobe Ensemble’s new show about New Labour.
8 August 2017
Reviews • Edinburgh Fringe 2017
Edinburgh Fringe Review: Mies Julie at the Assembly Rooms
3 - 27 August 2017
By Rosemary Waugh
‘Excellent’, ‘astonishing’, ‘devastating’ and all the rest: Rosemary Waugh reviews the return of Yael Farber’s Mies Julie to the Edinburgh Fringe.
7 August 2017
Reviews • Edinburgh Fringe 2017
Edinburgh Fringe Review: The Shape of the Pain at Summerhall
until 26 August 2017
By Rosemary Waugh
Have you tried…? Rosemary Waugh reviews Rachel Bagshaw and Chris Thorpe’s show about living with chronic pain.
6 August 2017
Reviews • Edinburgh
EIF Review: Rhinoceros at the Royal Lyceum, Edinburgh
until 12 August 2017
By Rosemary Waugh
A crash, or a stubbornness: Rosemary Waugh reviews Zinnie Harris’s new version of Eugène Ionesco’s Rhinoceros at the EIF.
31 July 2017
Features • Q&A and Interviews
Rachel Bagshaw: “I see pain as colours and hear it as sound”
By Rosemary Waugh
Rachel Bagshaw talks to Rosemary Waugh about creating The Shape of Pain, an Edinburgh Fringe show based on her experiences, and made in collaboration with Chris Thorpe.
26 July 2017
Reviews • West End & Central
Review: Mosquitoes at the National Theatre
until 28 September 2017
By Rosemary Waugh
Order, order: Rosemary Waugh reviews Lucy Kirkwood’s new play at the National Theatre
24 July 2017
Reviews • Bristol
Review: Lego Beach at 1532 Performing Arts Centre, Bristol
19 - 22 July 2017
By Rosemary Waugh
Beach combing: Rosemary Waugh reviews the 2017 Made in Bristol production.
23 July 2017
Reviews • Cardiff
Review: Chippy and Scratch Does The Diff at Chapter Arts, Cardiff
18 July 2017
By Rosemary Waugh
Homecoming: Rosemary Waugh reviews a night of four work-in-progress plays by Welsh playwrights.
17 July 2017
Features
Touch at the Soho Theatre
By Rosemary Waugh
Bad sex, jiggly bits, and twenty-something omnishambles: Rosemary Waugh and Gillian Greer conduct an email chat about Touch and young women’s sexuality on stage.
12 July 2017
Reviews • West End & Central
Review: Queen Anne at the Theatre Royal Haymarket
30 June - 30 September 2017
By Rosemary Waugh
Going round the houses: Rosemary Waugh reviews Helen Edmundson’s play about the British monarch.
10 July 2017
Reviews • West End & Central
Review: Taha at the Young Vic
7 - 15 Jul 2017
By Rosemary Waugh
Humans and history books: Rosemary Waugh reviews Taha at the Young Vic as part of the Shubbak Festival.