Farewell, puritanism: Rosemary Waugh reviews the stage adaptation of Ingmar Bergman’s famous film.
Rosemary Waugh
Articles by Rosemary Waugh
5 March 2018
Reviews • OWE & Fringe
Review: Körper at Sadler’s Wells
1 - 3 March 2018
By Rosemary Waugh
Bodies for sale: Rosemary Waugh reviews Sasha Waltz & Guests’ human-focused dance work
26 February 2018
Reviews • OWE & Fringe
Review: Ad Libido at Vault Festival 2018
21 - 25 February 2018
By Rosemary Waugh
Come for the fringe theatre, stay for the free lube: Rosemary Waugh reviews Fran Bushe’s show about Female Sexual Dysfunction
21 February 2018
Reviews • OWE & Fringe
Review: Juliet and Romeo at the Battersea Arts Centre
14 - 24 February, and then until 3 March at The Place
By Rosemary Waugh
The aches and pains of long-term love: Rosemary Waugh reviews Lost Dog’s new show about Shakespeare’s lovers all grown up.
17 February 2018
Reviews • West End & Central
Review: Girls & Boys at the Royal Court
8 February - 17 March 2018
By Rosemary Waugh
Feeling blue: Rosemary Waugh reviews the premiere of Dennis Kelly’s one-woman play.
14 February 2018
Reviews • West End & Central
Review: The York Realist at the Donmar Warehouse
8 February - 24 March 2018
By Rosemary Waugh
Love and land: Rosemary Waugh reviews Peter Gill’s painfully realistic picture of a relationship
13 February 2018
Reviews • OWE & Fringe
Review: Pluto at the Barbican
8 - 11 February 2018
By Rosemary Waugh
A discombobulatingly epic bit of stage design: Rosemary Waugh reviews the theatre version of Astro Boy
12 February 2018
Reviews • OWE & Fringe
Review: NOW18: Week 4 at The Yard
6 - 10 February 2018
By Rosemary Waugh
Sexting with James Joyce: Rosemary Waugh reviews My Kind of Michael and Your Sexts Are Shit, as part of NOW18.
8 February 2018
Reviews • West End & Central
Review: Gundog at the Royal Court
Until 10 March 2018
By Rosemary Waugh
Rosemary Waugh reviews the premiere of Simon Longman’s brutal, bloody and foreboding rural play.
6 February 2018
Reviews • OWE & Fringe
Review: How To Be A Kid at the Orange Tree Theatre
25 January - 3 March 2018
By Rosemary Waugh
Bursting bubbles: Rosemary Waugh reviews Sarah McDonald-Hughes’ play about growing up fast
22 January 2018
Reviews • National
Review: The Wedding by Gecko
Touring until 9 March 2018
By Rosemary Waugh
Community, up to a point: Rosemary Waugh reviews Gecko’s new work on being ‘wedded to society’.
14 January 2018
Reviews • West End & Central
Review: Rita, Sue and Bob Too at the Royal Court
9 - 27 January 2018
By Rosemary Waugh
Lots of knots: Rosemary Waugh reviews the arrival of Andrea Dunbar’s play at the Royal Court.
11 January 2018
Reviews • London Theatre • Reviews • West End & Central
Review: My Mum’s a Twat at the Royal Court
January 8 - January 20
By Rosemary Waugh
A cult hit: Anoushka Warden’s debut monologue is bold, brash and baggy.
25 November 2017
Reviews • Bristol • Reviews
Review: Romeo and Juliet by the English National Ballet
21 - 25 November 2017
By Rosemary Waugh
Sunshine and suicide: Rosemary Waugh reviews the English National Ballet’s performance of Nureyev’s take on Shakespeare.
24 November 2017
Reviews • West End & Central
Review: The Secret Theatre at the Sam Wanamaker Playhouse
16 November - 16 December 2017
By Rosemary Waugh
You’re being watched: Rosemary Waugh reviews Anders Lustgarten’s new play about Elizabethan intrigue.