“There’s no such thing as paranoia.” Rosemary Waugh reviews Titus Halder’s unsettling vision of what awaits after graduation.
Weirder than Westminster: Rosemary Waugh reviews Shakespeare at the Tobacco Factory’s modern Molière.
Will, Barney and I: Rosemary Waugh and her imaginary friends enjoy a day out in Salisbury.
Escaped Alone x 4: Rosemary Waugh provides yet another review of Escaped Alone.
After the runaway success of Iphigenia in Splott, Rachel O’Riordan is directing Gary Owen’s new play Killology. She talks about her work as artistic director of the Sherman, and how theatre “opens doors to Wales”.
A musical for ballet fans: Rosemary Waugh reviews the London premiere of An American In Paris.
Penmanship: Rosemary Waugh reviews Stephanie Riding’s work about writing to male prisoners on death row.
Coming down to earth: Rosemary Waugh reviews Steven Cantor’s film about ballet dancer Sergei Polunin.
When Harry met Daniel met Tom: Rosemary Waugh reviews the 50th anniversary production of Tom Stoppard’s riff on Hamlet.
The 1970s in brown and orange: Rosemary Waugh reviews the UK premiere of Marielle Heller’s stage adaptation of The Diary of a Teenage Girl.
The rest is silence: Rosemary Waugh reviews Robert Icke’s production of Hamlet, starring Andrew Scott.
From 1988 to 2017: Rosemary Waugh reviews the Orange Tree Theatre’s revival of Clare McIntyre’s Low Level Panic.
Unwinding the individual threads: Rosemary Waugh reviews a collection of five audio plays created in response to Brexit.
In all her scene-stealing cross-gartered glory: Rosemary Waugh writes a love letter to Tamsin Greig thinly veiled as a review.
Loud, modern, sweary and stark: Rosemary Waugh reviews Shakespeare At The Tobacco Factory’s new production of Othello.