“This hyper-awareness of impending death”: Rosemary Waugh writes on Kally Lloyd-Jones’ dance piece about mortality.

Awkward notes: Rosemary Waugh writes on Pat Kinevane’s musical meander through the life of a man who’s lost custody of his daughter.

Rosemary Waugh writes on a cliché-resistant narrative of an Indigenous woman’s revenge.

Rosemary Waugh reviews Tim Cowbury’s performance in the form of an awkward convo in Summerhall courtyard.

Power crazy: Rosemary Waugh writes on how Korean company Cho-in theatre turn Macbeth into a fierce metaphor for ambition.

A white cube: Rosemary Waugh writes on a visual art-inspired performance by choreographer Yen-Cheng Liu.

An imbalance of power: Rosemary Waugh writes on Victor Fung’s dance duet, and its shifting political context.