“Cook, stirring, until the misery has melted”: Rosemary Waugh’s review of the ROH’s opera takes the form of a very festive recipe.
Rosemary Waugh
Articles by Rosemary Waugh
16 December 2018
Reviews
Review: The Sun Line at Lilian Baylis Studio
By Rosemary Waugh
‘Fifty shades of beige’: Rosemary Waugh reviews The Meyerhold Theatre Centre’s adaptation of Ivan Vyrypaev’s play about a couple arguing themselves round in circles
26 November 2018
Reviews • OWE & Fringe
Review: Dick Whittington at Lyric Hammersmith
17 Nov - 6 Jan
By Rosemary Waugh
Intrepid panto correspondent and newbie Londoner Rosemary Waugh reviews the bright lights of Jude Christian and Cariad Lloyd’s pantomime
13 November 2018
Features
Jess Latowicki: “I became really interested in what the expectations are for female artists”
By Rosemary Waugh
Rosemary Waugh chats to Jess Latowicki, one half of Made in China, about how their new show Super Duper Close Up draws inspiration from anxiety, feminism – and skincare.
6 November 2018
Reviews • OWE & Fringe
Review: Mirabel at Ovalhouse
2 - 17 November 2018
By Rosemary Waugh
I won’t spoil the ending: Rosemary Waugh reviews Chris Goode’s post-apocalyptic story of a girl and her cat.
24 October 2018
Reviews • OWE & Fringe
Review: The Wild Duck at the Almeida
15 October - 1 December 2018
By Rosemary Waugh
The lights are up: Rosemary Waugh reviews Robert Icke’s illuminating reimagining of Ibsen’s play.
8 October 2018
Reviews • West End & Central
Review: The Malady of Death (La Maladie de la Mort) at the Barbican
3 - 6 October 2018
By Rosemary Waugh
The waves are rolling in or moving out: Rosemary Waugh reviews Katie Mitchell and Alice Birch’s latest collaboration.
28 September 2018
Reviews • Dublin
Review: Hamlet at the Gate Theatre, Dublin
21 September - 27 October 2018
By Rosemary Waugh
Let the doors be locked: Rosemary Waugh reviews Yaël Farber’s Hamlet, starring Ruth Negga.
17 September 2018
Reviews • OWE & Fringe
Review: Pure Dance at Sadler’s Wells
12 - 16 September 2018
By Rosemary Waugh
Listen up: Rosemary Waugh reviews a six-part programme led by Natalia Osipova.
5 September 2018
Reviews • OWE & Fringe
Review: Dance Nation at the Almeida
27 August - 6 October 2018
By Rosemary Waugh
Blood, sweat and more blood: Rosemary Waugh reviews the UK premiere of Clare Barron’s play about 13-year-old competitive dancers.
1 September 2018
Reviews • West End & Central
Review: Velvet Petal at Southbank Centre
31 August - 1 September 2018
By Rosemary Waugh
You have nothing to fear: Rosemary Waugh reviews Scottish Dance Theatre with a work inspired by Robert Mapplethorpe.
24 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh Review: Black and White Tea Room at Assembly Rooms
Until 25 August 2018
By Rosemary Waugh
A surprising encounter: Rosemary Waugh writes on Cha Hyun Suk’s play.
20 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh Review: The Spinners at Dance Base
13 - 19 August 2018
By Rosemary Waugh
Weaving history: Rosemary Waugh reviews a piece of dance-theatre based on the Greek mythological characters.
19 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh Review: Harpy at Underbelly Cowgate
Until 26 August 2018
By Rosemary Waugh
Collector of stuff: Rosemary Waugh reviews Su Pollard at the Edinburgh Fringe.
19 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh Review: Drip Feed at Assembly George Square
Until 26 August 2018
By Rosemary Waugh
Saving the bears: Rosemary Waugh reviews Karen Cogan’s unsettling Cork-set monologue.