A battle for attention: Rachel Elderkin reviews the collaboration between the Rambert Dance Company and Garsington Opera.
Rachel Elderkin
Articles by Rachel Elderkin
24 October 2016
Reviews • London Theatre • OWE & Fringe
Review: Beheld & Set and Reset/Reset at Sadler’s Wells
Sadler's Wells ⋄ 21st - 22nd October 2016
By Rachel Elderkin
Pushing the possibilities of movement: Rachel Elderkin reviews Candoco at Sadler’s Wells.
12 October 2016
Reviews • London Theatre • OWE & Fringe
Review: Shakespeare Triple Bill at Sadler’s Wells
Sadler's Wells ⋄ 10th - 11th September 2016
By Rachel Elderkin
Both theatrical and poetic: Rachel Elderkin reviews the Birmingham Royal Ballet’s performance of three works inspired by Shakespeare.
27 May 2016
Reviews • London Theatre • West End & Central
Review: Jekyll & Hyde at the Old Vic
Old Vic ⋄ 20th - 28th May 2016
By Rachel Elderkin
Gawky pelvic twitches and beautiful botany: Rachel Elderkin reviews Drew McOnie’s re-imagining of R.L. Stevenson’s classic.
25 April 2016
Reviews • Dance
Review: May Contain Food at The Place
The Place ⋄ 21st April - 7th May 2016
By Rachel Elderkin
Eccentric, ludicrous and entertaining: Rachel Elderkin reviews Protein’s gastronomic new work.
22 March 2016
Reviews • Dance • Reviews
Review: Cristaux / To Begin, Begin / Storyville
Barbican Theatre ⋄ 18th - 19th March 2016
By Rachel Elderkin
Rachel Elderkin reviews Ballet Black’s “rather mixed triple bill”.
31 October 2015
Reviews • Dance
Gravity Fatigue
Sadler's Wells ⋄ 28th - 31st October 2015
By Rachel Elderkin
The intersection between dance and fashion.
30 October 2015
Reviews
No Lander
The Place ⋄ 28th October 2015
By Rachel Elderkin
At sea.
29 October 2015
Reviews • Dance
The Factory
Village Underground ⋄ 26th October 2015
By Rachel Elderkin
Shaking things up.
21 October 2015
Reviews • Dance
La Veronal: Voronia
Sadler's Wells ⋄ 19th-20th October 2015
By Rachel Elderkin
A descent.