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Paul Hughes



Articles by Paul Hughes


Review: BASICTENSION at the ICA
21 February 2018
Reviews • Dance • Reviews

Review: BASICTENSION at the ICA

10 - 11 February 2018
By Paul Hughes

An imprecise cloud of possibilites: Jamila Johnson-Small’s free-flowing choreography brings dance artists into a contemporary art context.


Review: The Araniello Show at The Yard
7 February 2018
Reviews • OWE & Fringe

Review: The Araniello Show at The Yard

30 January - 3 February 2018
By Paul Hughes

Renders the inevitable clichés ‘hollow and cartoonish’: Paul Hughes reviews The Araniello Show, on as part of NOW18.


Review: Andante by Igor & Moreno
24 November 2017
Reviews • Reviews

Review: Andante by Igor & Moreno

14 November 2017
By Paul Hughes

Instinctive honesty and benevolence: Paul Hughes reviews the latest work from Igor & Moreno.


Review: Meg Stuart Until Our Hearts Stop at Sadler’s Wells
24 November 2017
Reviews • OWE & Fringe

Review: Meg Stuart Until Our Hearts Stop at Sadler’s Wells

15 November 2017
By Paul Hughes

Grasping, sweaty choreographies of impulse: Paul Hughes reviews Meg Stuart’s work about bodies, bodies, bodies.


Review: Learning from the Future at Nottingham Contemporary
6 October 2017
Reviews

Review: Learning from the Future at Nottingham Contemporary

September 29
By Paul Hughes

“A thrilling and urgent ritual”: Paul Hughes contemplates technology, mortality and the future while watching Colette Sadler’s bold contemporary dance.


Review: On The Habit of Being Oneself at Sadler’s Wells
3 October 2017
Reviews • Dance • Reviews

Review: On The Habit of Being Oneself at Sadler’s Wells

September 28 - September 29
By Paul Hughes

“Does the work think we care? Does it care if we care?”: choreographer Joe Moran’s evening of minimalist dance performances and installations.


Review: Code Bend Time at Nottdance 2017
19 March 2017
Reviews • Nottingham

Review: Code Bend Time at Nottdance 2017

15 February - 11 March 2017
By Paul Hughes

The delicate unpredictability of the plinth: Paul Hughes reviews Evangelia Kolyra’s performance in the Lace Market Gallery, as part of Nottdance 2017.


Review: Odori-Dawns-Dance at Nottdance 2017
17 March 2017
Reviews • Nottingham

Review: Odori-Dawns-Dance at Nottdance 2017

12 March 2017
By Paul Hughes

Moving in the public space: Paul Hughes reviews Sioned Huws’ work performed in Sneinton Market in Nottingham city centre.


Review: Future Dancer at Nottdance 2017
16 March 2017
Reviews • Nottingham

Review: Future Dancer at Nottdance 2017

10 March 2017
By Paul Hughes

What does it means to have a practice, to do a practice? Paul Hughes reviews Lucy Suggate’s work inspired by the words of Isadora Duncan.


Review: Now That We Know at Nottdance
16 March 2017
Reviews • Nottingham

Review: Now That We Know at Nottdance

8 March 2017
By Paul Hughes

Massaging the hypnotic organs: Paul Hughes reviews Matthias Sperling’s performance lecture at Nottdance 2017.


Review: Brocade at Nottdance 2017
15 March 2017
Reviews • Nottingham

Review: Brocade at Nottdance 2017

Dance4's International Centre for Choreography ⋄ 8 March 2017
By Paul Hughes

An all-female punk ceilidh: Paul Hughes reviews Brocade by Roberta Jean on the first night of Nottdance 2017.


Review: Close Distance at Nottdance 2017
15 March 2017
Reviews • Nottingham

Review: Close Distance at Nottdance 2017

Wollaton Hall ⋄ 8 March 2017
By Paul Hughes

Who is being looked at, and who is doing the looking: Paul Hughes reviews an installation work in the Prospect Room of Wollaton Hall as part of Nottdance 2017.


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