The delicate unpredictability of the plinth: Paul Hughes reviews Evangelia Kolyra’s performance in the Lace Market Gallery, as part of Nottdance 2017.
Paul Hughes
Articles by Paul Hughes
17 March 2017
Reviews • Nottingham
Review: Odori-Dawns-Dance at Nottdance 2017
12 March 2017
By Paul Hughes
Moving in the public space: Paul Hughes reviews Sioned Huws’ work performed in Sneinton Market in Nottingham city centre.
16 March 2017
Reviews • Nottingham
Review: Future Dancer at Nottdance 2017
10 March 2017
By Paul Hughes
What does it means to have a practice, to do a practice? Paul Hughes reviews Lucy Suggate’s work inspired by the words of Isadora Duncan.
16 March 2017
Reviews • Nottingham
Review: Now That We Know at Nottdance
8 March 2017
By Paul Hughes
Massaging the hypnotic organs: Paul Hughes reviews Matthias Sperling’s performance lecture at Nottdance 2017.
15 March 2017
Reviews • Nottingham
Review: Brocade at Nottdance 2017
Dance4's International Centre for Choreography ⋄ 8 March 2017
By Paul Hughes
An all-female punk ceilidh: Paul Hughes reviews Brocade by Roberta Jean on the first night of Nottdance 2017.
15 March 2017
Reviews • Nottingham
Review: Close Distance at Nottdance 2017
Wollaton Hall ⋄ 8 March 2017
By Paul Hughes
Who is being looked at, and who is doing the looking: Paul Hughes reviews an installation work in the Prospect Room of Wollaton Hall as part of Nottdance 2017.