Patrick Maley reviews David Greenspan’s marathon solo performance of Eugene O’Neill melodrama.
Patrick Maley reviews The Seeing Place’s revival of Caryl Churchill’s 1979 play.
Patrick Maley enjoys the snacks, not so much the drama, in Target Margin’s revival.
Lynn Nottage brings a fresh eye to labor, capitalism, and the American factory worker in Sweat.
A powerful performance by Obi Abili overcomes O’Neill’s racism in Irish Rep’s new production. Patrick Maley reviews.
Patrick Maley reviews Druid Theatre’s powerful revival in NYC.
Patrick Maley reviews “a rare and special treat.”
Patrick Maley reports from a claustrophobic production of Conor McPherson’s apocalypse.
Patrick Maley reviews “a slow and meticulous” production of Sam Shepard’s 1979 Pulitzer winning play.
Forest Whitaker excellently captures his character’s desperate need for an audience.
That feeling of being watched.