David Henry Hwang revises his M. Butterfly at a propitious moment. Nicole Serratore reviews
Anna Ziegler explores the internal turmoil of tennis players on court and off in The Last Match. Nicole Serratore reviews.
Diana Oh makes an unapologetic call to arms to queer the world. Nicole Serratore reviews.
Boom Bat Gesture’s ‘Do Your Worst’ series asks artists to create deliberate flops. Nicole Serratore asks them about failure, DIY theatre, and Spiderman.
New York collaborative theatre heroes The TEAM are staging ‘Primer for a Failed Superpower’, a multi-generational pop concert of protest songs. Nicole Serratore sits in on rehearsals.
Activism, terrorism, and Turkish politics shape this Performative Essay starring two tortoises
Laura Linney and Cynthia Nixon give strong voices to the complex women in Lillian Hellman’s play The Little Foxes
An onslaught of digital trickery steals the show in a new Broadway musical about the Romanov princess.
Docudrama about mill worker/activist Ella May Wiggins gives a glimpse into labor history
Bleary-eyed, late night conversation of comics, sexuality, and connection in Noah Mease’s Omega Kids. Nicole Serratore reviews.
The Assembly looks back on 1960’s protest and action in HOME/SICK.
Nicole Serratore reviews Sam Gold’s bold reimaging of the Tennessee Williams’ classic
Penelope Skinner subverts expectations about women, competition, and aging in her new play.
A riot grrl musical take on Antigone channels her rage into action. Nicole Serratore reviews.
A New York Times review sparked fury for critiquing Mark Twain’s racial politics. Here, Nicole Serratore steps into the critical dispute over Big River and representation in theatre.