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Natasha Tripney


Natasha Tripney

Natasha co-founded Exeunt in 2011 and was editor until 2016. She's now lead critic and reviews editor for The Stage, and has written about theatre and the arts for the Guardian, Time Out, the Independent, Lonely Planet and Tortoise.


Articles by Natasha Tripney


A Quease-mas Carol
28 December 2019
Features

A Quease-mas Carol

By Natasha Tripney

Leaves you feeling Peaky: Natasha Tripney dissects Peaky Blinders creator Steven Knight’s misjudged Dickens adaptation for the BBC.


Belgrade International Theatre Festival: Let’s Start Over
30 September 2019
Features

Belgrade International Theatre Festival: Let’s Start Over

By Natasha Tripney

Natasha Tripney finds destruction, renewal, and numbing violence at Belgrade’s festival of avant garde theatre from across Europe.


An Obsession Is Born
10 June 2019
Features

An Obsession Is Born

By Natasha Tripney

Natasha Tripney marks the launch of the 2019 Edinburgh fringe programme with a poem, crafted from its cut up and reassembled entrails.


A Decade of Fringes
28 August 2018
Features • Edinburgh Fringe 2018

A Decade of Fringes

By Natasha Tripney

Natasha Tripney writes on the time-bending, memory-layering properties of returning to Edinburgh for the festival fringe, year after year.


Into the Unknown
14 June 2018
Features

Into the Unknown

By Natasha Tripney

In an annual Exeunt tradition, Natasha Tripney condenses the contents of the entire 2018 Edinburgh Fringe programme into a single poem.


Fringe Programme Poetry
12 June 2017
Features

Fringe Programme Poetry

By Natasha Tripney

“Who is torturing whom?” Natasha Tripney crafts a cut-up poem from the fever dream that is the 2017 Edinburgh Fringe programme.


Review: Don Juan at Jugoslovensko Dramsko Pozoriste, Belgrade
30 May 2017
Reviews • Reviews

Review: Don Juan at Jugoslovensko Dramsko Pozoriste, Belgrade

Until 26 June 2017
By Natasha Tripney

“Appealing pyromaniac tendencies” – Natasha Tripney reviews Gorčin Stojanović’s production of Don Juan.


Review: A Man Who Watched the World at the Mladinsko theatre, Ljubljana
27 March 2017
Reviews • Reviews

Review: A Man Who Watched the World at the Mladinsko theatre, Ljubljana

Mladinsko theatre ⋄
By Natasha Tripney

The snickety-snick of the sewing machine: Natasha Tripney reviews Žiga Divjak’s bleak but impressive production at the Mladinsko theatre.


Review: The Extra People at Malta Festival, Poznan
28 June 2016
Reviews • Reviews

Review: The Extra People at Malta Festival, Poznan

Malta Festival ⋄ 26th - 27th June 2016
By Natasha Tripney

The watchers and the watched: Natasha Tripney reviews Ant Hampton’s work presented as part of Malta Festival.


Edinburgh Fringe Programme Poetry
13 June 2016
Features

Edinburgh Fringe Programme Poetry

By Natasha Tripney

Don’t be fooled by gimp owl: the Edinburgh Fringe has a sensitive side. Natasha Tripney offers a cut-up poem plucked from the pages of the Edinburgh Fringe Programme.


Sherlock: The Abominable Bride
5 January 2016
Features

Sherlock: The Abominable Bride

By Natasha Tripney

Natasha Tripney on fan-service, feminism and the Sherlock Christmas special


Around The World in 80 Days
6 December 2015
Reviews • OWE & Fringe

Around The World in 80 Days

St James Theatre ⋄ 26th November 2015 - 17th January 2016
By Natasha Tripney

Jules Verne and the shrinking world.


Pantomime: The Purest Form of Theatre
2 December 2015
Features

Pantomime: The Purest Form of Theatre

By Natasha Tripney

Jon Bradfield discusses representation, rude songs, and the validity of pantomime as an artform.


Waking The Feminists: “We’ve a long road ahead of us.”
1 December 2015
Features

Waking The Feminists: “We’ve a long road ahead of us.”

By Natasha Tripney

Fiona Doyle on the situation still faced by female playwrights in Ireland and how gender inequality within Irish Theatre is symptomatic of something much deeper.


Sparks
15 November 2015
Reviews • OWE & Fringe

Sparks

Old Red Lion ⋄ 10th November - 5th December 2015
By Natasha Tripney

Sisterland.


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