Working it out: Naomi Obeng reviews Luca Rutherford’s solo show in two parts – a written response, and an audio recording made immediately after the performance.
Naomi Obeng
Articles by Naomi Obeng
1 June 2018
Features • Festivals
Watch Out Festival 2018
By Naomi Obeng
Naomi Obeng encounters transformation, an intergalactic mission, bingo, and tons of exciting new performance at Cambridge Junction’s one day fest.
21 April 2018
Reviews • London Theatre • OWE & Fringe • Reviews
Review: Faceless at the Park Theatre
April 17 - May 12
By Naomi Obeng
Dancing around the periphery: there’s a compelling story lurking somewhere in Selina Fillinger’s debut play.
12 April 2018
Features • Essays • Festivals
NSDF: Making Change
By Naomi Obeng
Naomi Obeng reports back from National Student Drama Festival’s collective conversations on how to make spaces fairer, more accessible, and more representative.
29 January 2018
Reviews • London Theatre • OWE & Fringe • Reviews
Review: Oranges & Elephants at Hoxton Hall
January 23 - February 10
By Naomi Obeng
Queens of Crime: this music hall melodrama eschews subtlety and sensitivity.
19 October 2017
Reviews • West End & Central
Review: A Woman of No Importance at the Vaudeville Theatre
until 30th December 2017
By Naomi Obeng
“You can almost hear Wilde laughing at our desire for moral certainty”: Naomi Obeng reviews the opening production of a year long season of Oscar Wilde.
1 September 2017
Reviews • West End & Central
Review: Lions and Tigers at the Sam Wanamaker Playhouse
23 August - 16 September 2017
By Naomi Obeng
Drama that fills out history: Naomi Obeng reviews Tanika Gupta’s new play about the fight for Indian Independence.