Dancing around the periphery: there’s a compelling story lurking somewhere in Selina Fillinger’s debut play.
Naomi Obeng reports back from National Student Drama Festival’s collective conversations on how to make spaces fairer, more accessible, and more representative.
Queens of Crime: this music hall melodrama eschews subtlety and sensitivity.
“You can almost hear Wilde laughing at our desire for moral certainty”: Naomi Obeng reviews the opening production of a year long season of Oscar Wilde.
Drama that fills out history: Naomi Obeng reviews Tanika Gupta’s new play about the fight for Indian Independence.