Emotionally invested: Naomi Obeng writes on a stage adaptation of a childhood favourite which ‘plainly plays with magic’.
Working it out: Naomi Obeng reviews Luca Rutherford’s solo show in two parts – a written response, and an audio recording made immediately after the performance.
Naomi Obeng encounters transformation, an intergalactic mission, bingo, and tons of exciting new performance at Cambridge Junction’s one day fest.
Dancing around the periphery: there’s a compelling story lurking somewhere in Selina Fillinger’s debut play.
Naomi Obeng reports back from National Student Drama Festival’s collective conversations on how to make spaces fairer, more accessible, and more representative.
Queens of Crime: this music hall melodrama eschews subtlety and sensitivity.
“You can almost hear Wilde laughing at our desire for moral certainty”: Naomi Obeng reviews the opening production of a year long season of Oscar Wilde.
Drama that fills out history: Naomi Obeng reviews Tanika Gupta’s new play about the fight for Indian Independence.