How to do meta better: Lucian Waugh reviews Lara Foot’s deeply compassionate play combining African storytelling with magic realism.
“A superbly executed concept by a blisteringly talented group”: Lucian Waugh reviews a modern update of Medea that shares much in common with opera.
Not your common-or-garden Christmas show: Lucian Waugh reviews Vivienne Franzmann’s version of The Snow Queen.
Wonderfully and inappropriately gory: Lucian Waugh reviews the return of Sally Cookson’s Cinderella to Bristol.
Lucian Waugh reviews Vesna Tominac Matačić’s beguiling performance of the works of the great Croatian poet, Vesna Parun.
A haven of Now.
Mud, mud, inglorious mud.