Hanging up his wig: Louise Jones writes on the 40th and final panto helmed by legendary York dame Berwick Kaler.
A broad brush: Louise Jones finds this adaptation of Jane Austen’s novel yields uneven results.
‘Joy in solidarity’: Louise Jones writes on Phoenix Dance Theatre’s celebration of the human stories of the Windrush generation.
Louise Jones submits her examination paper for Jonathan Lewis’ play. (And promises she didn’t cheat.)
Chrysalis-like: Louise Jones reviews Natasha Marshall’s semi-autobiographical solo show
Like stumbling over poetry written as a lovelorn teen: Louise Jones reviews Metta Theatre’s adaptation of the underwater fairytale
A brilliant tongue in cheek look at the life of a woman in the 1800s: Louise Jones reviews Sara Pascoe’s version of Jane Austen.
More than a forgotten town? Louise Jones reviews Jackie Hagan’s quiet celebration of the people of Skelmersdale.
Lively, non-stop and irreverent: Louise Jones reviews the HandleBards high energy take on As You Like It.
A wealth of variety and charm: Louise Jones review On the Wire’s From Shore to Shore.
Our lady in York (Louise Jones) reviews Our Man in Havana – in text messages.
Better than Creme Eggs: Louise Jones reviews Northern Broadsides’s hugely entertaining version of Cyrano de Bergerac.
Keeping heads above water: Louise Jones reviews Sandi Toksvig’s play about care home residents trying to escape a flood.
Don’t be put off by the doilies: Louise Jones reviews Philip Meeks’ play about Agatha Christie and Margaret Rutherford.
A satisfying sense of dissatisfaction: Louise Jones reviews Box of Tricks’ production of Narvik.