‘Life’s metaphorical bucket’: Louise Jones reviews Holly Gallagher’s solo storytelling show about the three Millennials under stress.
Tensions in the ring: Louise Jones on plot and character in a wrestling ring-set co-production between Red Ladder and The Dukes, Lancaster.
Ringing hollow: Louise Jones writes on the subtleties lost in adaptation in Out of Joint and Royal and Derngate’s co-production of Kazuo Ishiguro’s novel.
Singing her song: Louise Jones reviews Emma Geraghty’s solo show exploring fatness and queerness through music.
Hanging up his wig: Louise Jones writes on the 40th and final panto helmed by legendary York dame Berwick Kaler.
A broad brush: Louise Jones finds this adaptation of Jane Austen’s novel yields uneven results.
‘Joy in solidarity’: Louise Jones writes on Phoenix Dance Theatre’s celebration of the human stories of the Windrush generation.
Louise Jones submits her examination paper for Jonathan Lewis’ play. (And promises she didn’t cheat.)
Chrysalis-like: Louise Jones reviews Natasha Marshall’s semi-autobiographical solo show
Like stumbling over poetry written as a lovelorn teen: Louise Jones reviews Metta Theatre’s adaptation of the underwater fairytale
A brilliant tongue in cheek look at the life of a woman in the 1800s: Louise Jones reviews Sara Pascoe’s version of Jane Austen.
More than a forgotten town? Louise Jones reviews Jackie Hagan’s quiet celebration of the people of Skelmersdale.
Lively, non-stop and irreverent: Louise Jones reviews the HandleBards high energy take on As You Like It.
A wealth of variety and charm: Louise Jones review On the Wire’s From Shore to Shore.
Our lady in York (Louise Jones) reviews Our Man in Havana – in text messages.