‘Shrödinger’s gender’: Lilith Wozniak on Wils Wilson’s lucid, playful production of Twelfth Night.
Death and birth: Lilith Wozniak reviews a double bill of new work developed through Bristol Old Vic’s Ferment programme.
Magic realism: Lilith Wozniak reviews Wassail Theatre’s pub quiz-set tale of rural life.
The foibles of the ruling classes: Lilith Wozniak reviews a satire based on Queen Victoria and Prince Albert.
Ingenious design: Lilith Wozniak reviews the stage adaptation of Joe Simpson’s memoir.
Messages from the other side: Tom Marshman’s solo show summons the spirits of men persecuted for being gay in 1950s Britain.
Lilith Wozniak reviews a new show about raising children, Russian folklore and how the theatre industry supports mothers.
Emotional disconnection: Lilith Wozniak writes on Katie Mitchell and Alice Birch’s unsettling retelling of a story of a sexual fantasy.
Your number’s up: take a spin on Ben Kulvichit and Lilith Wozniak’s game-form write-up of the live art festival of chance.
‘Absolutely pitch perfect writing’ – Lilith Wozniak on Malaprop Theatre’s compelling take on the modern world.
Fun, sexy and inventive: Lilith Wozniak reviews Gandini Juggling’s playful tribute to all things pop music.
Both old-fashioned and futuristic: Lilith Wozniak writes on an atmospheric staging of Samuel Butler’s 19th century science fiction novel.
A company with really exciting ideas: Wilderbeast’s debut show is a mix of classy and clunky.
Heartbeats or voice recordings: Lilith Wozniak reviews Bristol’s Shakespeare at the Tobacco Factory at their new home in Bath.
RENAISSANCE! PLAYSUITS! Lilith Wozniak reviews a musical, double trouble performance by She Goat.