Theatre as controlled demolition: Christopher Rüping’s dissection of Brecht is thrilling, smart and savage.
Lee Anderson reviews “cyborg theatre” by Susanne Kennedy
Behind-the-scenes: Lee Anderson reviews Thomas Ostermeier’s staging of Didier Eribon’s novel.
Drink every time… Lee Anderson reviews the Volksbuhne’s 7-hour marathon of Goethe
From death to rebirth: Lee Anderson reviews Marion Bott’s new play about modern life in Berlin. [CW: Suicide]
Vanishing acts: Lee Anderson reviews the stage adaptation of Joan Lindsay’s cult novel
Gallows humour: Lee Anderson reviews Chris Thorpe & Jon Spooner’s show about shuffling off the mortal coil.
“Bloodless, utopian activism clashes with brutal, revolutionary violence”: Lee Anderson on Chilean writer Guillermo Calderón’s new play about conflicting radical ideologies.
The absence of love: Lee Anderson reviews Gary Owen’s new play at the Royal Court.
Lee Anderson and Annegret Märten discover metatheatrics, total theatre and a fug of Ostalgie at Berlin’s fortnight-long festival of German theatre.
Rinse, repeat, ad infinitum: Lee Anderson review Forced Entertainment’s performance at Theatertreffen 2017.
Lee Anderson finds that Simon Stone’s new version of Three Sisters reduces the women of Chekhov’s original to “bit players in their own drama”.
Locates the absurd within a terrible bleakness: Lee Anderson reviews the return of Caryl Churchill’s Escaped Alone to the Royal Court.
“Borders blur and meaning’s shift” in Matthew Xia’s production of Blue/Orange.
Lee Anderson visits the company behind Fringe hit Some People Talk About Violence as they prepare for their takeover weekend at Camden People’s Theatre.