Lane Williams reviews New York City Opera’s truncated, sometimes thrilling adaptation.
Lane Williamson feels spun out by Hamish Linklater’s turntable of acting moments.
Rearranging the furniture: Lane Williamson reviews Martin Sherman’s new play at the Public Theater.
An alien gives the audience some unsatisfying hickeys, courtesy of Ken Urban. Lane Williamson reviews.
“We’re all Antrobuses:” Lane Williamson reviews Theatre for a New Audience’s probing revival.
“Considerable trouble and considerable joy” in Encores! production of Big River. Lane Williamson reviews.
The New Group’s revival of Sweet Charity breathes contemporary life into a worthy musical. Lane Williamson reviews.
Irish Repertory’s revival offers welcome, if not wholly effective, escapism. Lane Williamson reviews.
Simon Stephens’ new play turns a May-December romance on its head.