Set by set, scene by scene, love by love: Ka Bradley reviews Charleroi Danses’s “transporting and joyously original work.”
What’s your posture like? Ka Bradley reviews Joli Vyann’s work about “a very modern malaise”.
Relationships and identities formed by relativity or intimacy: Ka Bradley reviews a mixed bill of performances as part of Resolution 2017.
Or, The Whale: Ka Bradley reviews James Wilton Dance’s interpretation of Moby Dick.
“I’ve never sat in an audience so delighted to be screamed at and called perverts.” Ka Bradley reviews Gracefool Collective’s show about women laughing with salads.
“I would like to be turned into a psychopathic velociraptor…” Ka Bradley reviews an immersive dance production at Hoxton Hall.
Too much, very much, extremely much: Ka Bradley reviews Yang Liping’s reimagining of a Chinese epic.
“I can say without embarrassment that this piece is beautiful.” Ka Bradley reviews Soft Machine at Sadler’s Wells.
Both military and ethereal: Ka Bradley reviews 6 and 8 by Tao Dance, as part of Sadler’s Wells’ Out of Asia 2 season.
Dance and neuroscience combine in a performance lecture by Matthias Sperling that’s “straight from the retro futureverse”.
Pony piñatas and something far cleverer: Ka Bradley reviews Encounter’s I Heart Catherine Pistachio.
“The fart in the church of feminist discourse”: Ka Bradley reviews Liz Aggiss’s performance of performativity at The Place.