A teasing sext to the benchmarks of ballet: Ka Bradley reviews The Suit, and A Dream Within A Midsummer Night’s Dream.
Night clubbers, taxidermy and a decapitated head in a box: Ka Bradley reviews the Marc Bruce Company’s dance adaptation of Shakespeare’s tragedy
Where the wild things are: Coney’s new show immerses you in the imaginations of children.
Sparkling moments and a bewildering storyline: Ka Bradley reviews The Guild of Misrule and Theatre Deli’s immersive show based on Peter Pan.
Absurdity in the commonplace: Ka Bradley reviews the Jakop Ahlbom Company, as part of London Mime Festive 2018
Art in its purest state: Ka Bradley unpicks the intensely weird power of Peeping Tom’s show.
Ka Bradley reviews Some People Say, Father Figurine and Reclaim the word slut! as part of Resolution 2018.
There’s something quite frantic and stressful about trying to have a sexy time… Ka Bradley on House of Kittens and erotic storytelling.
A flirtatious, provoking piece: Ka Bradley reviews Eun-Me Ahn’s work exploring identity and androgyny at Dance Umbrella 2017.
The duality of space, or how not to catch a Lapras: Ka Bradley reviews Charlotte Spencer Projects’ immersive piece on a disused site near London City Airport.
If you just really, really want to run around pretending you’re a vampire, this is for you: Ka Bradley reviews immersive theatre by Hammer House of Horror.
Women turned into monsters: Ka Bradley reviews 27 degrees’ exploration of the Medusa myth.
Shot through with nervous, defiant ecstasy: Ka Bradley reviews Hofesh Shechter’s new work based on the apocalypse.
Well-meaning but clumsily delivered: Ka Bradley reviews Cirkus Cirkör’s new work inspired by the migrant crisis.
Lost amongst the swarm: Ka Bradley reviews an ‘enigmatic and complex’ new work by Wayne McGregor.