It’s just one interpretation: Holly Williams on Imogen Knight’s “sensuously rich” production of Simon Stephens’ new play.
“The artifice of attempting to recreate a life is laid bare” in Simon McBurney’s staging of Robert Evans’ biography. Review by Holly Williams.
An exercise in style: Holly Williams reviews Robert Icke’s take on the thriller noir.
Nineties naffness: Holly Williams reviews the first revival of Mark Ravenhill’s play in 20 years.
Back to front, front to back: Holly Williams reviews Rob Sutherland’s palindromic play.
What do you most want to see on stage? Holly Williams reviews Chris Goode & Company at Transform ’16
The soothing effect of a song.
A messy, bloodied tale.
Holier than thou.
Belonging wholly to its moment.