Untranslatable: Henry Gleaden writes on Jaha Koo’s melancholy performance about the personal impact of South Korea’s financial crisis.
Henry Gleaden
Articles by Henry Gleaden
12 January 2019
Reviews • OWE & Fringe
Review: The War of the Worlds, New Diorama
By Henry Gleaden
‘A fast-paced tour of fake news, guided by an otherworldly ensemble of mischievous shapeshifters’: Henry Gleaden reviews Rhum and Clay’s adaptation of Orson Welles’s radio play
22 December 2018
Reviews • Brighton • National
Review: A Pair of Pantos at The Marlborough, Brighton
18-20 December, then touring
By Henry Gleaden
Panto pedagogy: Hester Chillingworth’s pantomime ditches dodgy gags and tired tropes for a transpositive alternative.
21 September 2018
Reviews • OWE & Fringe
Review: The Village at Theatre Royal Stratford East
Friday 7 September - Saturday 6 October 2018
By Henry Gleaden
Revolutionary acts: Henry Gleaden on Nadia Fall’s alarmingly current-feeling first show as AD at Theatre Royal Stratford East.
28 February 2018
Reviews • OWE & Fringe
Review: Dust at the Soho Theatre
20 February – 17 March 2018
By Henry Gleaden
Flank, thigh and back: Henry Gleaden reviews Milly Thomas’s one-woman play about the aftermath of a suicide
25 February 2018
Reviews • OWE & Fringe
Review: The Shape of the Pain at Battersea Arts Centre
20 February – 10 March 2018
By Henry Gleaden
An attempt to articulate: Henry Gleaden reviews Rachel Bagshaw and Chris Thorpe’s show about Complex Regional Pain Syndrome.
13 February 2018
Reviews • OWE & Fringe
Review: Boys at Vault Festival 2018
7 - 11 February 2018
By Henry Gleaden
I’ve met these blokes before. Each of them a different type of man: Henry Gleaden responds to Boys at Vaults.
3 February 2018
Reviews
Review: Mary’s Babies at Vault Festival
By Henry Gleaden
The pull of blood: Maud Dromgoole’s play explores the lives shaped by a very prolific sperm donor.