Dissonance and vocal fry – Hannah Greenstreet on a performance that explores gendered speech.
Patties of human flesh: Hannah Greenstreet can’t get the smell of cooking meat out of her nostrils after Sarah Kosar’s “visceral, disgust-provoking” two-hander.
How did you get your scar? Hannah Greenstreet reviews a new play about Yarlswood Immigration Removal Centre.
Add a cupboardful of theatrical tropes: Hannah Greenstreet writes a recipe review of Steve Rogers’ play, which is set in a takeaway.