Watching through my fingers – Hannah Greenstreet on Milly Thomas’s new plays and theatre’s duty of care.
Hannah Greenstreet
Articles by Hannah Greenstreet
8 August 2017
Reviews • Edinburgh Fringe 2017
Edinburgh Fringe Review: Five Encounters on a Site Called Craigslist
Until 28th August 2017
By Hannah Greenstreet
“A surprisingly tender theatrical experiment”: Hannah Greenstreet reviews YESYESNONO’s exploration of intimacy.
8 August 2017
Reviews • Edinburgh Fringe 2017 • Reviews
Edinburgh Fringe Review: Adam and Eve at Traverse Theatre
Until 27th August 2017
By Hannah Greenstreet
Lyrical, joyous and vital – Hannah Greenstreet on the National Theatre of Scotland’s two stories about trans experience.
7 August 2017
Reviews • Edinburgh
EIF Review: Meet Me at Dawn at Traverse Theatre
4 - 27 August 2017
By Hannah Greenstreet
Forces you to slow down: Hannah Greenstreet reviews Zinnie Harris’s new work inspired by the myth of Orpheus and Eurydice.
6 August 2017
Reviews • Edinburgh Fringe 2017
Edinburgh Fringe Review: The B*easts at Underbelly
By Hannah Greenstreet
Monica Dolan’s one woman show is a deliberately un-sensationalised exploration of how children are sexualised.
6 August 2017
Reviews • Edinburgh Fringe 2017
Edinburgh Fringe Review: Mouthpiece at Summerhall
By Hannah Greenstreet
Dissonance and vocal fry – Hannah Greenstreet on a performance that explores gendered speech.
17 July 2017
Reviews • London Theatre • OWE & Fringe • Reviews
Review: Mumburger at the Old Red Lion
June 27 - July 22
By Hannah Greenstreet
Patties of human flesh: Hannah Greenstreet can’t get the smell of cooking meat out of her nostrils after Sarah Kosar’s “visceral, disgust-provoking” two-hander.
10 July 2017
Reviews • OWE & Fringe
Review: The Scar Test at the Soho Theatre
Until 22nd July 2017
By Hannah Greenstreet
How did you get your scar? Hannah Greenstreet reviews a new play about Yarlswood Immigration Removal Centre.
26 June 2017
Reviews • OWE & Fringe
Review: Food at the Finborough Theatre
20 June – 15 July 2017
By Hannah Greenstreet
Add a cupboardful of theatrical tropes: Hannah Greenstreet writes a recipe review of Steve Rogers’ play, which is set in a takeaway.