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Hannah Greenstreet


Hannah is a writer, academic and theatre critic. She is London Reviews co-Editor for Exeunt, with a focus on fringe and Off-West End theatre. She has a PhD in contemporary feminist theatre and form from the University of Oxford and is now a lecturer at the University of Liverpool. She is also a playwright and has worked with Camden People's Theatre, Soho Writers' Lab, the North Wall Arts Centre, and Menagerie Theatre Company.


Articles by Hannah Greenstreet


Edinburgh review: Finding Fassbender at Pleasance
16 August 2018
Reviews • Edinburgh Fringe 2018

Edinburgh review: Finding Fassbender at Pleasance

Until 27th August
By Hannah Greenstreet

Hannah Greenstreet writes on Lydia Larson’s hilarious monologue about “the fantasy lives we build to survive”.


Edinburgh review: It’s True, It’s True, It’s True at Underbelly
15 August 2018
Reviews • Edinburgh Fringe 2018

Edinburgh review: It’s True, It’s True, It’s True at Underbelly

By Hannah Greenstreet

Visual richness: Hannah Greenstreet writes on the images of Breach Theatre’s show, which dramatises the story of baroque painter Artemisia Gentileschi.


Edinburgh Review: Pickle Jar at Underbelly Cowgate
15 August 2018
Reviews

Edinburgh Review: Pickle Jar at Underbelly Cowgate

By Hannah Greenstreet

Pickle Jar is a one-woman show about rape culture, grief, and misplaced guilt.


Review: Pity at the Royal Court
23 July 2018
Reviews • West End & Central

Review: Pity at the Royal Court

12 July - 11 August 2018
By Hannah Greenstreet

Warning: this review explodes. Hannah Greenstreet grapples with Rory Mullarkey’s new play.


Review: One For Sorrow at the Royal Court
28 June 2018
Reviews • London Theatre • Reviews • West End & Central

Review: One For Sorrow at the Royal Court

June 20 - August 11
By Hannah Greenstreet

Edges, borders, barbed wire: Cordelia Lynn’s bomb attack drama explores the ethics of keeping safe.


Review: RashDash’s Three Sisters at The Yard Theatre
24 May 2018
Reviews

Review: RashDash’s Three Sisters at The Yard Theatre

22nd May until 9th June
By Hannah Greenstreet

I’m ready to work: Hannah Greenstreet responds to a frenzied, feminist reimagining of Chekhov with a letter to its creators, RashDash.


Review: Masterpieces at the Finborough Theatre
30 April 2018
Reviews • OWE & Fringe

Review: Masterpieces at the Finborough Theatre

24 April - 19 May 2018
By Hannah Greenstreet

Not all porn? Hannah Greenstreet reviews a revival of Sarah Daniels’ play about sexism and pornography


Alchymy Festival
28 March 2018
Features • Festivals

Alchymy Festival

By Hannah Greenstreet

Hannah Greenstreet chats to Ellie Keel, producer of Alchymy – a unique Oxford-based festival that’s all about developing new theatre.


Review: Big Bad at Vault Festival 2018
20 March 2018
Reviews • London Theatre • OWE & Fringe • Reviews

Review: Big Bad at Vault Festival 2018

March 14 - March 18
By Hannah Greenstreet

Jodi Gray’s wolfish one-woman play is an exploration of ‘monstrous’ femininity and the male gaze.


Review: I Have a Mouth and I Will Scream at Vault Festival 2018
19 February 2018
Reviews • OWE & Fringe

Review: I Have a Mouth and I Will Scream at Vault Festival 2018

14 - 18 February 2018
By Hannah Greenstreet

‘This is not the end’: Hannah Greenstreet reviews an attempt at starting a feminist revolution inside a theatre.


Review: Collective Rage at the Southwark Playhouse
6 February 2018
Reviews • OWE & Fringe

Review: Collective Rage at the Southwark Playhouse

24 January - 17 February 2018
By Hannah Greenstreet

Gets very meta very quickly: Hannah Greenstreet reviews Jen Silverman’s play about five Betties


Review: The Words Are Coming Now at Theatre503
29 January 2018
Reviews • OWE & Fringe

Review: The Words Are Coming Now at Theatre503

By Hannah Greenstreet

Words can be weaponised: ten short plays expose the challenges of introducing nuance to the #MeToo conversation.


Callisto: A Queer Epic
6 December 2017
Features • Q&A and Interviews

Callisto: A Queer Epic

By Hannah Greenstreet

Hannah Greenstreet sits in on rehearsals for Forward Arena’s queer, time-hopping epic.


Review: Til We Meet In England at Safehouse, Peckham
14 November 2017
Reviews • OWE & Fringe

Review: Til We Meet In England at Safehouse, Peckham

By Hannah Greenstreet

Hannah Greenstreet on the “unforced relevance” of an immersive reimagining of Elizabeth Inchbald’s 1792 play.


Review: All In at New Diorama Theatre
9 November 2017
Reviews • OWE & Fringe

Review: All In at New Diorama Theatre

By Hannah Greenstreet

Playing games: Hannah Greenstreet on a beguiling, political piece about group psychology by Barcelona-based company ATRESBANDES.


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