The screams are real: Hannah Greenstreet writes on Tom Scutt and Joel Horwood’s chilling exploration of cinematic horror and aural illusions.
Hannah Greenstreet
Articles by Hannah Greenstreet
24 January 2019
Reviews • West End & Central
When we have sufficiently tortured each other, at the National Theatre
By Hannah Greenstreet
Penetrating analysis: Hannah Greenstreet writes on Martin Crimp and Katie Mitchell’s phallocentric new exploration of gender roles.
18 December 2018
Reviews
Review: The Cane at the Royal Court
6th December - 26th January
By Hannah Greenstreet
A reckoning: Mark Ravenhill’s new play is a naturalistic, troubling exploration of history and abuses of power.
26 November 2018
Features • Q&A and Interviews
Nick Field: “Neoliberalism is collapsing around us”
By Hannah Greenstreet
Artist Nick Field is bringing two new shows to CPT. He chats to Hannah Greenstreet about neoliberalism, Tom Baker, and making work that’s “pretty damn queer”.
8 November 2018
Reviews • OWE & Fringe
Review: The Funeral Director at Southwark Playhouse
Until 24th November
By Hannah Greenstreet
Depth and complexity: Hannah Greenstreet writes on Iman Qureshi’s Papatango Prize-winning play.
1 November 2018
Reviews • OWE & Fringe
Review: Moot Moot at The Yard Theatre
30th October - 10th November
By Hannah Greenstreet
Feedback loops: Rosana Cade and Ivor MacAskill’s show is a surreal exercise in repetition.
21 August 2018
Reviews • Edinburgh Fringe 2018 • Reviews
Edinburgh Review: WHITE at Pleasance Courtyard
By Hannah Greenstreet
WHITE is a well-crafted and nuanced interrogation of ‘the mixed-race experience.’
21 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh Review: Revelations at Summerhall
Until 26 August 2018
By Hannah Greenstreet
‘Manipulate is not quite the right word…’: Hannah Greenstreet is left confused by James Rowland’s new show.
20 August 2018
Reviews • Edinburgh Fringe 2018 • Reviews
Edinburgh Review: A Generous Lover at Summerhall
By Hannah Greenstreet
A modernist odyssey: Hannah Greenstreet writes on La JohnJoseph’s lyrical solo show.
19 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh fringe review: Ladykiller by The Thelmas
Until 27th August
By Hannah Greenstreet
Bloody funny: Hannah Greenstreet writes on a comic monologue about a female psychopath.
19 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh Review: Power Play: The Empty Chair at Pleasance Pop-Up
Until 25 August 2018
By Hannah Greenstreet
Can we talk about #metoo plays? Hannah Greenstreet reviews a play exploring sexual abuse in Hollywood.
18 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh Review: See-Through at Summerhall
Until 26 August 2018
By Hannah Greenstreet
The contemporary confessional: Hannah Greenstreet reviews Claire Gaydon’s Youtuber show.
17 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh fringe review: Queens of Sheba at Underbelly
By Hannah Greenstreet
A chorus and a sisterhood: Hannah Greenstreet on Nouveau Riché’s poetic exploration of misogynoir.
17 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh review: Sparks at Pleasance Courtyard
Until 26th August
By Hannah Greenstreet
Gentle and gently devastating: Hannah Greenstreet writes on Jessica Butcher’s exploration of a mother-daughter relationship.
16 August 2018
Reviews • Edinburgh Fringe 2018 • Reviews
Edinburgh Review: What Girls Are Made Of at Traverse
By Hannah Greenstreet
What Girls Are Made Of looks back on a teenage brush with stardom with adult wisdom and a 90s soundtrack.