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Hannah Greenstreet


Hannah is a writer, academic and theatre critic. She is London Reviews co-Editor for Exeunt, with a focus on fringe and Off-West End theatre. She has a PhD in contemporary feminist theatre and form from the University of Oxford and is now a lecturer at the University of Liverpool. She is also a playwright and has worked with Camden People's Theatre, Soho Writers' Lab, the North Wall Arts Centre, and Menagerie Theatre Company.


Articles by Hannah Greenstreet


Review: Berberian Sound Studio, Donmar Warehouse
17 February 2019
Reviews • OWE & Fringe

Review: Berberian Sound Studio, Donmar Warehouse

8th February - 30th March
By Hannah Greenstreet

The screams are real: Hannah Greenstreet writes on Tom Scutt and Joel Horwood’s chilling exploration of cinematic horror and aural illusions.


When we have sufficiently tortured each other, at the National Theatre
24 January 2019
Reviews • West End & Central

When we have sufficiently tortured each other, at the National Theatre

By Hannah Greenstreet

Penetrating analysis: Hannah Greenstreet writes on Martin Crimp and Katie Mitchell’s phallocentric new exploration of gender roles.


Review: The Cane at the Royal Court
18 December 2018
Reviews

Review: The Cane at the Royal Court

6th December - 26th January
By Hannah Greenstreet

A reckoning: Mark Ravenhill’s new play is a naturalistic, troubling exploration of history and abuses of power.


Nick Field: “Neoliberalism is collapsing around us”
26 November 2018
Features • Q&A and Interviews

Nick Field: “Neoliberalism is collapsing around us”

By Hannah Greenstreet

Artist Nick Field is bringing two new shows to CPT. He chats to Hannah Greenstreet about neoliberalism, Tom Baker, and making work that’s “pretty damn queer”.


Review: The Funeral Director at Southwark Playhouse
8 November 2018
Reviews • OWE & Fringe

Review: The Funeral Director at Southwark Playhouse

Until 24th November
By Hannah Greenstreet

Depth and complexity: Hannah Greenstreet writes on Iman Qureshi’s Papatango Prize-winning play.


Review: Moot Moot at The Yard Theatre
1 November 2018
Reviews • OWE & Fringe

Review: Moot Moot at The Yard Theatre

30th October - 10th November
By Hannah Greenstreet

Feedback loops: Rosana Cade and Ivor MacAskill’s show is a surreal exercise in repetition.


Edinburgh Review: WHITE at Pleasance Courtyard
21 August 2018
Reviews • Edinburgh Fringe 2018 • Reviews

Edinburgh Review: WHITE at Pleasance Courtyard

By Hannah Greenstreet

WHITE is a well-crafted and nuanced interrogation of ‘the mixed-race experience.’


Edinburgh Review: Revelations at Summerhall
21 August 2018
Reviews • Edinburgh Fringe 2018

Edinburgh Review: Revelations at Summerhall

Until 26 August 2018
By Hannah Greenstreet

‘Manipulate is not quite the right word…’: Hannah Greenstreet is left confused by James Rowland’s new show.


Edinburgh Review: A Generous Lover at Summerhall
20 August 2018
Reviews • Edinburgh Fringe 2018 • Reviews

Edinburgh Review: A Generous Lover at Summerhall

By Hannah Greenstreet

A modernist odyssey: Hannah Greenstreet writes on La JohnJoseph’s lyrical solo show.


Edinburgh fringe review: Ladykiller by The Thelmas
19 August 2018
Reviews • Edinburgh Fringe 2018

Edinburgh fringe review: Ladykiller by The Thelmas

Until 27th August
By Hannah Greenstreet

Bloody funny: Hannah Greenstreet writes on a comic monologue about a female psychopath.


Edinburgh Review: Power Play: The Empty Chair at Pleasance Pop-Up
19 August 2018
Reviews • Edinburgh Fringe 2018

Edinburgh Review: Power Play: The Empty Chair at Pleasance Pop-Up

Until 25 August 2018
By Hannah Greenstreet

Can we talk about #metoo plays? Hannah Greenstreet reviews a play exploring sexual abuse in Hollywood.


Edinburgh Review: See-Through at Summerhall
18 August 2018
Reviews • Edinburgh Fringe 2018

Edinburgh Review: See-Through at Summerhall

Until 26 August 2018
By Hannah Greenstreet

The contemporary confessional: Hannah Greenstreet reviews Claire Gaydon’s Youtuber show.


Edinburgh fringe review: Queens of Sheba at Underbelly
17 August 2018
Reviews • Edinburgh Fringe 2018

Edinburgh fringe review: Queens of Sheba at Underbelly

By Hannah Greenstreet

A chorus and a sisterhood: Hannah Greenstreet on Nouveau Riché’s poetic exploration of misogynoir.


Edinburgh review: Sparks at Pleasance Courtyard
17 August 2018
Reviews • Edinburgh Fringe 2018

Edinburgh review: Sparks at Pleasance Courtyard

Until 26th August
By Hannah Greenstreet

Gentle and gently devastating: Hannah Greenstreet writes on Jessica Butcher’s exploration of a mother-daughter relationship.


Edinburgh Review: What Girls Are Made Of at Traverse
16 August 2018
Reviews • Edinburgh Fringe 2018 • Reviews

Edinburgh Review: What Girls Are Made Of at Traverse

By Hannah Greenstreet

What Girls Are Made Of looks back on a teenage brush with stardom with adult wisdom and a 90s soundtrack.


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