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Hannah Greenstreet


Hannah is a writer, academic and theatre critic. She is London Reviews co-Editor for Exeunt, with a focus on fringe and Off-West End theatre. She is researching an AHRC-funded PhD on contemporary feminist theatre and realism at the University of Oxford. She is also a playwright and has worked with Soho Writers' Lab, the North Wall Arts Centre, and Menagerie Theatre Company.


Articles by Hannah Greenstreet


Review: The Funeral Director at Southwark Playhouse
8 November 2018
Reviews • OWE & Fringe

Review: The Funeral Director at Southwark Playhouse

Until 24th November
By Hannah Greenstreet

Depth and complexity: Hannah Greenstreet writes on Iman Qureshi’s Papatango Prize-winning play.


Review: Moot Moot at The Yard Theatre
1 November 2018
Reviews • OWE & Fringe

Review: Moot Moot at The Yard Theatre

30th October - 10th November
By Hannah Greenstreet

Feedback loops: Rosana Cade and Ivor MacAskill’s show is a surreal exercise in repetition.


Edinburgh Review: WHITE at Pleasance Courtyard
21 August 2018
Reviews • Edinburgh Fringe 2018 • Reviews

Edinburgh Review: WHITE at Pleasance Courtyard

By Hannah Greenstreet

WHITE is a well-crafted and nuanced interrogation of ‘the mixed-race experience.’


Edinburgh Review: Revelations at Summerhall
21 August 2018
Reviews • Edinburgh Fringe 2018

Edinburgh Review: Revelations at Summerhall

Until 26 August 2018
By Hannah Greenstreet

‘Manipulate is not quite the right word…’: Hannah Greenstreet is left confused by James Rowland’s new show.


Edinburgh Review: A Generous Lover at Summerhall
20 August 2018
Reviews • Edinburgh Fringe 2018 • Reviews

Edinburgh Review: A Generous Lover at Summerhall

By Hannah Greenstreet

A modernist odyssey: Hannah Greenstreet writes on La JohnJoseph’s lyrical solo show.


Edinburgh fringe review: Ladykiller by The Thelmas
19 August 2018
Reviews • Edinburgh Fringe 2018

Edinburgh fringe review: Ladykiller by The Thelmas

Until 27th August
By Hannah Greenstreet

Bloody funny: Hannah Greenstreet writes on a comic monologue about a female psychopath.


Edinburgh Review: Power Play: The Empty Chair at Pleasance Pop-Up
19 August 2018
Reviews • Edinburgh Fringe 2018

Edinburgh Review: Power Play: The Empty Chair at Pleasance Pop-Up

Until 25 August 2018
By Hannah Greenstreet

Can we talk about #metoo plays? Hannah Greenstreet reviews a play exploring sexual abuse in Hollywood.


Edinburgh Review: See-Through at Summerhall
18 August 2018
Reviews • Edinburgh Fringe 2018

Edinburgh Review: See-Through at Summerhall

Until 26 August 2018
By Hannah Greenstreet

The contemporary confessional: Hannah Greenstreet reviews Claire Gaydon’s Youtuber show.


Edinburgh fringe review: Queens of Sheba at Underbelly
17 August 2018
Reviews • Edinburgh Fringe 2018

Edinburgh fringe review: Queens of Sheba at Underbelly

By Hannah Greenstreet

A chorus and a sisterhood: Hannah Greenstreet on Nouveau Riché’s poetic exploration of misogynoir.


Edinburgh review: Sparks at Pleasance Courtyard
17 August 2018
Reviews • Edinburgh Fringe 2018

Edinburgh review: Sparks at Pleasance Courtyard

Until 26th August
By Hannah Greenstreet

Gentle and gently devastating: Hannah Greenstreet writes on Jessica Butcher’s exploration of a mother-daughter relationship.


Edinburgh Review: What Girls Are Made Of at Traverse
16 August 2018
Reviews • Edinburgh Fringe 2018 • Reviews

Edinburgh Review: What Girls Are Made Of at Traverse

By Hannah Greenstreet

What Girls Are Made Of looks back on a teenage brush with stardom with adult wisdom and a 90s soundtrack.


Edinburgh review: Finding Fassbender at Pleasance
16 August 2018
Reviews • Edinburgh Fringe 2018

Edinburgh review: Finding Fassbender at Pleasance

Until 27th August
By Hannah Greenstreet

Hannah Greenstreet writes on Lydia Larson’s hilarious monologue about “the fantasy lives we build to survive”.


Edinburgh review: It’s True, It’s True, It’s True at Underbelly
15 August 2018
Reviews • Edinburgh Fringe 2018

Edinburgh review: It’s True, It’s True, It’s True at Underbelly

By Hannah Greenstreet

Visual richness: Hannah Greenstreet writes on the images of Breach Theatre’s show, which dramatises the story of baroque painter Artemisia Gentileschi.


Edinburgh Review: Pickle Jar at Underbelly Cowgate
15 August 2018
Reviews

Edinburgh Review: Pickle Jar at Underbelly Cowgate

By Hannah Greenstreet

Pickle Jar is a one-woman show about rape culture, grief, and misplaced guilt.


Review: Pity at the Royal Court
23 July 2018
Reviews • West End & Central

Review: Pity at the Royal Court

12 July - 11 August 2018
By Hannah Greenstreet

Warning: this review explodes. Hannah Greenstreet grapples with Rory Mullarkey’s new play.


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