Depth and complexity: Hannah Greenstreet writes on Iman Qureshi’s Papatango Prize-winning play.
Hannah Greenstreet
Articles by Hannah Greenstreet
1 November 2018
Reviews • OWE & Fringe
Review: Moot Moot at The Yard Theatre
30th October - 10th November
By Hannah Greenstreet
Feedback loops: Rosana Cade and Ivor MacAskill’s show is a surreal exercise in repetition.
21 August 2018
Reviews • Edinburgh Fringe 2018 • Reviews
Edinburgh Review: WHITE at Pleasance Courtyard
By Hannah Greenstreet
WHITE is a well-crafted and nuanced interrogation of ‘the mixed-race experience.’
21 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh Review: Revelations at Summerhall
Until 26 August 2018
By Hannah Greenstreet
‘Manipulate is not quite the right word…’: Hannah Greenstreet is left confused by James Rowland’s new show.
20 August 2018
Reviews • Edinburgh Fringe 2018 • Reviews
Edinburgh Review: A Generous Lover at Summerhall
By Hannah Greenstreet
A modernist odyssey: Hannah Greenstreet writes on La JohnJoseph’s lyrical solo show.
19 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh fringe review: Ladykiller by The Thelmas
Until 27th August
By Hannah Greenstreet
Bloody funny: Hannah Greenstreet writes on a comic monologue about a female psychopath.
19 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh Review: Power Play: The Empty Chair at Pleasance Pop-Up
Until 25 August 2018
By Hannah Greenstreet
Can we talk about #metoo plays? Hannah Greenstreet reviews a play exploring sexual abuse in Hollywood.
18 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh Review: See-Through at Summerhall
Until 26 August 2018
By Hannah Greenstreet
The contemporary confessional: Hannah Greenstreet reviews Claire Gaydon’s Youtuber show.
17 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh fringe review: Queens of Sheba at Underbelly
By Hannah Greenstreet
A chorus and a sisterhood: Hannah Greenstreet on Nouveau Riché’s poetic exploration of misogynoir.
17 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh review: Sparks at Pleasance Courtyard
Until 26th August
By Hannah Greenstreet
Gentle and gently devastating: Hannah Greenstreet writes on Jessica Butcher’s exploration of a mother-daughter relationship.
16 August 2018
Reviews • Edinburgh Fringe 2018 • Reviews
Edinburgh Review: What Girls Are Made Of at Traverse
By Hannah Greenstreet
What Girls Are Made Of looks back on a teenage brush with stardom with adult wisdom and a 90s soundtrack.
16 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh review: Finding Fassbender at Pleasance
Until 27th August
By Hannah Greenstreet
Hannah Greenstreet writes on Lydia Larson’s hilarious monologue about “the fantasy lives we build to survive”.
15 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh review: It’s True, It’s True, It’s True at Underbelly
By Hannah Greenstreet
Visual richness: Hannah Greenstreet writes on the images of Breach Theatre’s show, which dramatises the story of baroque painter Artemisia Gentileschi.
15 August 2018
Reviews
Edinburgh Review: Pickle Jar at Underbelly Cowgate
By Hannah Greenstreet
Pickle Jar is a one-woman show about rape culture, grief, and misplaced guilt.
23 July 2018
Reviews • West End & Central
Review: Pity at the Royal Court
12 July - 11 August 2018
By Hannah Greenstreet
Warning: this review explodes. Hannah Greenstreet grapples with Rory Mullarkey’s new play.