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Hannah Greenstreet


Hannah is a writer, academic and theatre critic. She is London Reviews co-Editor for Exeunt, with a focus on fringe and Off-West End theatre. She has a PhD in contemporary feminist theatre and form from the University of Oxford and is now a lecturer at the University of Liverpool. She is also a playwright and has worked with Camden People's Theatre, Soho Writers' Lab, the North Wall Arts Centre, and Menagerie Theatre Company.


Articles by Hannah Greenstreet


Edinburgh Fringe Review: A Brief History of the Fragile Male Ego by Jordan & Skinner
10 August 2019
Reviews • Edinburgh Fringe 2019

Edinburgh Fringe Review: A Brief History of the Fragile Male Ego by Jordan & Skinner

31st July - 26th August
By Hannah Greenstreet

Are we really post-feminism? Hannah Greenstreet writes on an irony-heavy exploration of the plight of men.


Edinburgh Fringe Review: Daughterhood by Charley Miles
9 August 2019
Reviews • Edinburgh Fringe 2019

Edinburgh Fringe Review: Daughterhood by Charley Miles

31st July - 25th August
By Hannah Greenstreet

Sisterly love: Hannah Greenstreet writes that Charley Miles’ sibling narrative rings true.


Edinburgh Fringe Review: Pink Lemonade and Since U Been Gone at Assembly
8 August 2019
Reviews • Edinburgh Fringe 2019

Edinburgh Fringe Review: Pink Lemonade and Since U Been Gone at Assembly

By Hannah Greenstreet

Do you really see me? Hannah Greenstreet writes on The Queer House’s double bill of autobiographical performances.


Edinburgh Fringe Review: Enough at Traverse Theatre
8 August 2019
Reviews • Edinburgh Fringe 2019

Edinburgh Fringe Review: Enough at Traverse Theatre

By Hannah Greenstreet

Jet set go: Hannah Greenstreet writes on Stef Smith’s narrative of two air hostesses whose friendship is in flux.


Edinburgh Fringe Review: Daddy Drag at Summerhall
7 August 2019
Reviews • Edinburgh Fringe 2019

Edinburgh Fringe Review: Daddy Drag at Summerhall

31st July - 25th August
By Hannah Greenstreet

“Call me Daddy”: Hannah Greenstreet writes on Leyla Josephine’s drag king show about fatherhood.


Edinburgh Fringe Review: Crocodile Fever at the Traverse
5 August 2019
Reviews • Edinburgh Fringe 2019

Edinburgh Fringe Review: Crocodile Fever at the Traverse

2-25 August
By Hannah Greenstreet

Full-on horror: Hannah Greenstreet writes on Meghan Tyler’s narrative of two vengeful sisters in Northern Ireland.


Review: The Worst Witch at Vaudeville Theatre
3 August 2019
Reviews

Review: The Worst Witch at Vaudeville Theatre

24th July - 8th September
By Hannah Greenstreet

Tea and sibling rivalry: Miss Cackle and Miss Hardbroom – aka Alice Saville and Hannah Greenstreet – report on Cackle’s Academy’s school production.


Review: Grey at Ovalhouse
7 July 2019
Reviews • OWE & Fringe

Review: Grey at Ovalhouse

27 June - 13 July
By Hannah Greenstreet

‘Depression is not poetic’: Hannah Greenstreet writes on Koko Brown’s show about depression, which combines spoken-word, vocal looping and BSL.


Review: Armadillo at the Yard
9 June 2019
Reviews • OWE & Fringe

Review: Armadillo at the Yard

30th May - 22nd June
By Hannah Greenstreet

‘Jagged flashes of the hyperreal’: Hannah Greenstreet reviews Sarah Kosar’s new play, which explores a woman’s complicated relationship with guns.


Review: Jude at Hampstead Theatre
9 May 2019
Reviews • OWE & Fringe

Review: Jude at Hampstead Theatre

By Hannah Greenstreet

Liberal tragedy: Hannah Greenstreet reviews Jude, ‘a stylistically muddled’ take on Thomas Hardy’s Jude the Obscure.


Review: Top Girls at the National Theatre
5 April 2019
Reviews • West End & Central

Review: Top Girls at the National Theatre

By Hannah Greenstreet

“If Caryl Churchill can’t have a large cast, who can?”: Hannah Greenstreet’s tripartite response to Top Girls explores its place in the theatre canon.


Review: Grief is the Thing with Feathers at the Barbican
31 March 2019
Reviews • OWE & Fringe

Review: Grief is the Thing with Feathers at the Barbican

By Hannah Greenstreet

Black feathers on your pillow: Hannah Greenstreet writes on Enda Walsh’s scratchy, crow-filled exploration of mourning.


Review: Wolfie at Theatre 503
27 March 2019
Reviews • OWE & Fringe

Review: Wolfie at Theatre 503

By Hannah Greenstreet

‘An urgent howl of social responsibility’: Hannah Greenstreet reviews Ross Willis’ magical realist new play about twins in the care system.


An Emilia Dialogue
25 March 2019
Features

An Emilia Dialogue

By Hannah Greenstreet

As Emilia hits the West End, Hannah Greenstreet and Amy Borsuk discuss its metatheatricality, its Jewish parallels, its role as feminist historical fiction, and more.


Review: SEX SEX MEN MEN at the Yard Theatre
1 March 2019
Reviews • OWE & Fringe

Review: SEX SEX MEN MEN at the Yard Theatre

26th February - 16th March
By Hannah Greenstreet

‘A plethora of pleasurable acts, presented with nuance, gender-theory and heart’: Hannah Greenstreet writes on Pecs Drag Kings’ show exploring the seepage of gender binaries.


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