‘The gesture of care makes the performance feel suddenly more dangerous’: Hannah Greenstreet writes on Clean Break’s production of Alice Birch’s sharply experimental new play.
Hannah Greenstreet
Articles by Hannah Greenstreet
30 September 2019
Reviews • West End & Central
Review: Glass. Kill. Bluebeard. Imp. at Royal Court
18 September - 12 October
By Hannah Greenstreet
A web of allusions: Hannah Greenstreet unpicks the intricacies of Caryl Churchill’s four-play cycle.
23 September 2019
Reviews
Highly Sensitive at Roundhouse
18 - 20th September
By Hannah Greenstreet
‘There is a sense of the stakes involved in her being on stage’: Hannah Greenstreet writes on Hannah Jane Walker’s show, which explores sensitivity through storytelling.
14 August 2019
Reviews • Edinburgh Fringe 2019
Edinburgh Review: Total Immediate Collective Imminent Terrestrial Salvation by Tim Crouch
By Hannah Greenstreet
“A duet of reluctance and pleasure”: Hannah Greenstreet writes on Tim Crouch’s delicate book-based interactive performance.
13 August 2019
Reviews • Edinburgh Fringe 2019
Edinburgh Fringe Review: Bible John by Caitlin McEwan
By Hannah Greenstreet
True crimes: Hannah Greenstreet writes on a show that attempts to examine why women are drawn to serial killer stories.
12 August 2019
Reviews • Edinburgh Fringe 2019
Edinburgh Fringe Review: CONSPIRACY by Barrel Organ
By Hannah Greenstreet
Crackpot theories: Hannah Greenstreet writes on Barrel Organ’s devised, sketchy look at post-truth logic.
11 August 2019
Reviews • Edinburgh Fringe 2019
Edinburgh Fringe Review: Passengers by Kit Redstone
By Hannah Greenstreet
All in my head: Hannah Greenstreet writes on Kit Redstone’s exploration of living with multiple personalities.
10 August 2019
Reviews • Edinburgh Fringe 2019
Edinburgh Fringe Review: A Brief History of the Fragile Male Ego by Jordan & Skinner
31st July - 26th August
By Hannah Greenstreet
Are we really post-feminism? Hannah Greenstreet writes on an irony-heavy exploration of the plight of men.
9 August 2019
Reviews • Edinburgh Fringe 2019
Edinburgh Fringe Review: Daughterhood by Charley Miles
31st July - 25th August
By Hannah Greenstreet
Sisterly love: Hannah Greenstreet writes that Charley Miles’ sibling narrative rings true.
8 August 2019
Reviews • Edinburgh Fringe 2019
Edinburgh Fringe Review: Pink Lemonade and Since U Been Gone at Assembly
By Hannah Greenstreet
Do you really see me? Hannah Greenstreet writes on The Queer House’s double bill of autobiographical performances.
8 August 2019
Reviews • Edinburgh Fringe 2019
Edinburgh Fringe Review: Enough at Traverse Theatre
By Hannah Greenstreet
Jet set go: Hannah Greenstreet writes on Stef Smith’s narrative of two air hostesses whose friendship is in flux.
7 August 2019
Reviews • Edinburgh Fringe 2019
Edinburgh Fringe Review: Daddy Drag at Summerhall
31st July - 25th August
By Hannah Greenstreet
“Call me Daddy”: Hannah Greenstreet writes on Leyla Josephine’s drag king show about fatherhood.
5 August 2019
Reviews • Edinburgh Fringe 2019
Edinburgh Fringe Review: Crocodile Fever at the Traverse
2-25 August
By Hannah Greenstreet
Full-on horror: Hannah Greenstreet writes on Meghan Tyler’s narrative of two vengeful sisters in Northern Ireland.
3 August 2019
Reviews
Review: The Worst Witch at Vaudeville Theatre
24th July - 8th September
By Hannah Greenstreet
Tea and sibling rivalry: Miss Cackle and Miss Hardbroom – aka Alice Saville and Hannah Greenstreet – report on Cackle’s Academy’s school production.
7 July 2019
Reviews • OWE & Fringe
Review: Grey at Ovalhouse
27 June - 13 July
By Hannah Greenstreet
‘Depression is not poetic’: Hannah Greenstreet writes on Koko Brown’s show about depression, which combines spoken-word, vocal looping and BSL.