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Hannah Greenstreet


Hannah is a writer, academic and theatre critic. She is London Reviews co-Editor for Exeunt, with a focus on fringe and Off-West End theatre. She is researching an AHRC-funded PhD on contemporary feminist theatre and realism at the University of Oxford. She is also a playwright and has worked with Soho Writers' Lab, the North Wall Arts Centre, and Menagerie Theatre Company.


Articles by Hannah Greenstreet


Review: [BLANK] at the Donmar Warehouse
20 October 2019
Reviews • West End & Central

Review: [BLANK] at the Donmar Warehouse

11th October - 30th November
By Hannah Greenstreet

‘The gesture of care makes the performance feel suddenly more dangerous’: Hannah Greenstreet writes on Clean Break’s production of Alice Birch’s sharply experimental new play.


Review: Glass. Kill. Bluebeard. Imp. at Royal Court
30 September 2019
Reviews • West End & Central

Review: Glass. Kill. Bluebeard. Imp. at Royal Court

18 September - 12 October
By Hannah Greenstreet

A web of allusions: Hannah Greenstreet unpicks the intricacies of Caryl Churchill’s four-play cycle.


Highly Sensitive at Roundhouse
23 September 2019
Reviews

Highly Sensitive at Roundhouse

18 - 20th September
By Hannah Greenstreet

‘There is a sense of the stakes involved in her being on stage’: Hannah Greenstreet writes on Hannah Jane Walker’s show, which explores sensitivity through storytelling.


Edinburgh Review: Total Immediate Collective Imminent Terrestrial Salvation by Tim Crouch
14 August 2019
Reviews • Edinburgh Fringe 2019

Edinburgh Review: Total Immediate Collective Imminent Terrestrial Salvation by Tim Crouch

By Hannah Greenstreet

“A duet of reluctance and pleasure”: Hannah Greenstreet writes on Tim Crouch’s delicate book-based interactive performance.


Edinburgh Fringe Review: Bible John by Caitlin McEwan
13 August 2019
Reviews • Edinburgh Fringe 2019

Edinburgh Fringe Review: Bible John by Caitlin McEwan

By Hannah Greenstreet

True crimes: Hannah Greenstreet writes on a show that attempts to examine why women are drawn to serial killer stories.


Edinburgh Fringe Review: CONSPIRACY by Barrel Organ
12 August 2019
Reviews • Edinburgh Fringe 2019

Edinburgh Fringe Review: CONSPIRACY by Barrel Organ

By Hannah Greenstreet

Crackpot theories: Hannah Greenstreet writes on Barrel Organ’s devised, sketchy look at post-truth logic.


Edinburgh Fringe Review: Passengers by Kit Redstone
11 August 2019
Reviews • Edinburgh Fringe 2019

Edinburgh Fringe Review: Passengers by Kit Redstone

By Hannah Greenstreet

All in my head: Hannah Greenstreet writes on Kit Redstone’s exploration of living with multiple personalities.


Edinburgh Fringe Review: A Brief History of the Fragile Male Ego by Jordan & Skinner
10 August 2019
Reviews • Edinburgh Fringe 2019

Edinburgh Fringe Review: A Brief History of the Fragile Male Ego by Jordan & Skinner

31st July - 26th August
By Hannah Greenstreet

Are we really post-feminism? Hannah Greenstreet writes on an irony-heavy exploration of the plight of men.


Edinburgh Fringe Review: Daughterhood by Charley Miles
9 August 2019
Reviews • Edinburgh Fringe 2019

Edinburgh Fringe Review: Daughterhood by Charley Miles

31st July - 25th August
By Hannah Greenstreet

Sisterly love: Hannah Greenstreet writes that Charley Miles’ sibling narrative rings true.


Edinburgh Fringe Review: Pink Lemonade and Since U Been Gone at Assembly
8 August 2019
Reviews • Edinburgh Fringe 2019

Edinburgh Fringe Review: Pink Lemonade and Since U Been Gone at Assembly

By Hannah Greenstreet

Do you really see me? Hannah Greenstreet writes on The Queer House’s double bill of autobiographical performances.


Edinburgh Fringe Review: Enough at Traverse Theatre
8 August 2019
Reviews • Edinburgh Fringe 2019

Edinburgh Fringe Review: Enough at Traverse Theatre

By Hannah Greenstreet

Jet set go: Hannah Greenstreet writes on Stef Smith’s narrative of two air hostesses whose friendship is in flux.


Edinburgh Fringe Review: Daddy Drag at Summerhall
7 August 2019
Reviews • Edinburgh Fringe 2019

Edinburgh Fringe Review: Daddy Drag at Summerhall

31st July - 25th August
By Hannah Greenstreet

“Call me Daddy”: Hannah Greenstreet writes on Leyla Josephine’s drag king show about fatherhood.


Edinburgh Fringe Review: Crocodile Fever at the Traverse
5 August 2019
Reviews • Edinburgh Fringe 2019

Edinburgh Fringe Review: Crocodile Fever at the Traverse

2-25 August
By Hannah Greenstreet

Full-on horror: Hannah Greenstreet writes on Meghan Tyler’s narrative of two vengeful sisters in Northern Ireland.


Review: The Worst Witch at Vaudeville Theatre
3 August 2019
Reviews

Review: The Worst Witch at Vaudeville Theatre

24th July - 8th September
By Hannah Greenstreet

Tea and sibling rivalry: Miss Cackle and Miss Hardbroom – aka Alice Saville and Hannah Greenstreet – report on Cackle’s Academy’s school production.


Review: Grey at Ovalhouse
7 July 2019
Reviews • OWE & Fringe

Review: Grey at Ovalhouse

27 June - 13 July
By Hannah Greenstreet

‘Depression is not poetic’: Hannah Greenstreet writes on Koko Brown’s show about depression, which combines spoken-word, vocal looping and BSL.


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