“A duet of reluctance and pleasure”: Hannah Greenstreet writes on Tim Crouch’s delicate book-based interactive performance.

True crimes: Hannah Greenstreet writes on a show that attempts to examine why women are drawn to serial killer stories.

Crackpot theories: Hannah Greenstreet writes on Barrel Organ’s devised, sketchy look at post-truth logic.

All in my head: Hannah Greenstreet writes on Kit Redstone’s exploration of living with multiple personalities.

Are we really post-feminism? Hannah Greenstreet writes on an irony-heavy exploration of the plight of men.

Sisterly love: Hannah Greenstreet writes that Charley Miles’ sibling narrative rings true.

Do you really see me? Hannah Greenstreet writes on The Queer House’s double bill of autobiographical performances.

Jet set go: Hannah Greenstreet writes on Stef Smith’s narrative of two air hostesses whose friendship is in flux.

“Call me Daddy”: Hannah Greenstreet writes on Leyla Josephine’s drag king show about fatherhood.

Full-on horror: Hannah Greenstreet writes on Meghan Tyler’s narrative of two vengeful sisters in Northern Ireland.