The future of theatre? Geoff Mills reviews Curious Directive’s interrogatory show combining live performance with VR technology.
“If Wesley Snipes did Shakespeare…”: Geoff Mills reviews Angus Jackson’s production of Coriolanus, the final instalment in the RSC’s up-and-down Rome season.
Never quite sets on fire: Geoff Mills reviews the Royal Shakespeare Company’s performance of Christopher Marlowe.
I thought you used to teach postmodernism? Geoff Mills provides the second instalment in his Stratford-upon-Avon play/reviews.
Graham Dickson’s solo show delves into the life of a Russian absurdist writer.
#RhodesMustFall: Geoff Mills reviews the Baxter Theatre’s play about student demonstrations at the University of Cape Town.
A radical reenvisioning: Geoff Mills reviews a stage adaptation of Colm Tóibín’s story of Jesus, from Mary’s perspective.
Diabolical depths: Geoff Mills discovers the depravity of man in this 21st Century take on an Edgar Allan Poe story.
Horror and humour: Geoff Mills reviews Blanche McIntyre’s contemporary version of Titus Andronicus.
Geoff Mills reviews a Salomé that Oscar Wilde would have thoroughly approved of – in the style of a Victorian epistle to the author himself.
Oil starts to drip from the ceiling… Geoff Mills writes a short play in response to the Mischief Festival double bill.
Keeping the despair at bay: Geoff Mills reviews Arthur Miller’s intended “time bomb” of a play.
Don’t mention the F-word: Geoff Mills reviews Alistair Beaton’s play about – whisper it – shale gas extraction.
The pleasing paradox of insanity: Geoff Mills plays mindgames of his own with Anthony Horowitz.