The world’s largest game of Jenga: Nacho Flores’ delicate exploration of a cubist landscape.
Disneyland and the death penalty: Francesca Peschier reviews Will Eno’s off-beat family drama.
Sunshine and desperation: Francesca Peschier reviews Rated X by Tomas Jefanovas and Christopher Brett Bailey, and Moot Moot by Rosana Cade and Eilidh MacAskill, as part of NOW18.
Four Vault Festival shows are combining belly laughs with explorations of life with mental health conditions like anxiety and depression. Francesca Peschier chats to some of their creators.
Hypnotic, ritualistic, something impossible and mesmeric: Francesca Peschier reviews the London premiere of Gandini Juggling’s new show.
A father in an urn and women that want to be heard, not seen: Francesca Peschier reviews the winning entries in a new monologue competition.
“Like those Christmas selections that come in an actual tin with some of the biscuits so posh they warrant their own silver foil.”
Bigger isn’t always better: Francesca Peschier is underwhelmed by the humbug prince.
Just kidding: Liwaa Yazji’s exploration of the Syrian Civil War is compelling, confusing and, well, full of goats.
Mischievously destabilises: Francesca Peschier reviews the show that gives critics stage fright.
The Room meets Grange Hill: Iain Hollingshead and Timothy Muller’s new high-school musical gets an F- from Francesca Peschier.
“I want to cover it in chutney and make it into an orgasmic sandwich”: Francesca Peschier on the Wales Millenium Centre revival of Manfred Karge’s 1982 one-woman epic.
Who said what? Francesca Peschier reviews Terry Johnson’s play featuring Albert Einstein and Marilyn Monroe.
There’s more to life than life on earth: Francesca Peschier reviews Andrew Thompson’s new play about space travel and families.
“Like stumbling, joyously stoned, through Camden Market”: Francesca Peschier takes a trip into The Vaults to review Johnathan O’Boyle’s fully immersive revival of Hair.