No shoes: Francesca Peschier reviews a play inspired by the Monica Lewinsky scandal through its costumes
Francesca Peschier explores how regional and working class accents are both underused and misused by theatre.
Who on earth is this for? Joel Paley and Marvin Laird’s inane Off-Broadway cult hit punches down not up, and that’s the least of its problems.
A good night out: Francesca Peschier on Matthew Bugg’s bawdy wartime musical.
You won’t look at dry cleaning bags with such ease ever again: Francesca Peschier reviews Silent Faces’ office-based comedy.
The bizarre and the nastiness in the everyday: Francesca Peschier reviews a forgotten play by Auden and Isherwood
Stephanie Jacob’s new play about modern slavery is ‘menacingly volatile’.
Francesca Peschier has a long, hard think about why she didn’t like this.
Sophocles…but make it punk: Francesca Peschier reviews DumbWise Theatre’s take on a classic.
If in doubt, get naked and jump on the table: Terry Johnson’s tribute to Ken Campbell has lessons for life as well as theatre.
Francesca Peschier reviews John O’Donovan’s “envy-inducing” debut play, in all its “butterfly brilliance”.
You don’t get it, but you listen: all good artists are dead’s second show is an incomprehensible rave.
Don’t try and tell us it’s his jive dancing: Francesca Peschier reviews Cassie McFarlane & Adrian Hope’s play about Eletha Barrett and Peter Finch
Thanks, Miranda: our intrepid space explorer dies a horrific death in this escape room experience.
A kiss that might just turn into a bite: Lolo Brow is at her sexy, seditious best at The Vaults.