The bizarre and the nastiness in the everyday: Francesca Peschier reviews a forgotten play by Auden and Isherwood
Stephanie Jacob’s new play about modern slavery is ‘menacingly volatile’.
Francesca Peschier has a long, hard think about why she didn’t like this.
Sophocles…but make it punk: Francesca Peschier reviews DumbWise Theatre’s take on a classic.
If in doubt, get naked and jump on the table: Terry Johnson’s tribute to Ken Campbell has lessons for life as well as theatre.
Francesca Peschier reviews John O’Donovan’s “envy-inducing” debut play, in all its “butterfly brilliance”.
You don’t get it, but you listen: all good artists are dead’s second show is an incomprehensible rave.
Don’t try and tell us it’s his jive dancing: Francesca Peschier reviews Cassie McFarlane & Adrian Hope’s play about Eletha Barrett and Peter Finch
Thanks, Miranda: our intrepid space explorer dies a horrific death in this escape room experience.
A kiss that might just turn into a bite: Lolo Brow is at her sexy, seditious best at The Vaults.
The horror! The horror! Dominic Allen and Simon Maeder dive into the weird world of HP Lovecraft.
The world’s largest game of Jenga: Nacho Flores’ delicate exploration of a cubist landscape.
Disneyland and the death penalty: Francesca Peschier reviews Will Eno’s off-beat family drama.
Sunshine and desperation: Francesca Peschier reviews Rated X by Tomas Jefanovas and Christopher Brett Bailey, and Moot Moot by Rosana Cade and Eilidh MacAskill, as part of NOW18.
Four Vault Festival shows are combining belly laughs with explorations of life with mental health conditions like anxiety and depression. Francesca Peschier chats to some of their creators.