Francesca Peschier explores how regional and working class accents are both underused and misused by theatre.
Who on earth is this for? Joel Paley and Marvin Laird’s inane Off-Broadway cult hit punches down not up, and that’s the least of its problems.
A good night out: Francesca Peschier on Matthew Bugg’s bawdy wartime musical.
You won’t look at dry cleaning bags with such ease ever again: Francesca Peschier reviews Silent Faces’ office-based comedy.
The bizarre and the nastiness in the everyday: Francesca Peschier reviews a forgotten play by Auden and Isherwood
Stephanie Jacob’s new play about modern slavery is ‘menacingly volatile’.
Francesca Peschier has a long, hard think about why she didn’t like this.
Sophocles…but make it punk: Francesca Peschier reviews DumbWise Theatre’s take on a classic.
If in doubt, get naked and jump on the table: Terry Johnson’s tribute to Ken Campbell has lessons for life as well as theatre.
Francesca Peschier reviews John O’Donovan’s “envy-inducing” debut play, in all its “butterfly brilliance”.
You don’t get it, but you listen: all good artists are dead’s second show is an incomprehensible rave.
Don’t try and tell us it’s his jive dancing: Francesca Peschier reviews Cassie McFarlane & Adrian Hope’s play about Eletha Barrett and Peter Finch
Thanks, Miranda: our intrepid space explorer dies a horrific death in this escape room experience.
A kiss that might just turn into a bite: Lolo Brow is at her sexy, seditious best at The Vaults.
The horror! The horror! Dominic Allen and Simon Maeder dive into the weird world of HP Lovecraft.