Francesca Peschier reviews John O’Donovan’s “envy-inducing” debut play, in all its “butterfly brilliance”.
You don’t get it, but you listen: all good artists are dead’s second show is an incomprehensible rave.
Don’t try and tell us it’s his jive dancing: Francesca Peschier reviews Cassie McFarlane & Adrian Hope’s play about Eletha Barrett and Peter Finch
Thanks, Miranda: our intrepid space explorer dies a horrific death in this escape room experience.
A kiss that might just turn into a bite: Lolo Brow is at her sexy, seditious best at The Vaults.
The horror! The horror! Dominic Allen and Simon Maeder dive into the weird world of HP Lovecraft.
The world’s largest game of Jenga: Nacho Flores’ delicate exploration of a cubist landscape.
Disneyland and the death penalty: Francesca Peschier reviews Will Eno’s off-beat family drama.
Sunshine and desperation: Francesca Peschier reviews Rated X by Tomas Jefanovas and Christopher Brett Bailey, and Moot Moot by Rosana Cade and Eilidh MacAskill, as part of NOW18.
Four Vault Festival shows are combining belly laughs with explorations of life with mental health conditions like anxiety and depression. Francesca Peschier chats to some of their creators.
Hypnotic, ritualistic, something impossible and mesmeric: Francesca Peschier reviews the London premiere of Gandini Juggling’s new show.
A father in an urn and women that want to be heard, not seen: Francesca Peschier reviews the winning entries in a new monologue competition.
“Like those Christmas selections that come in an actual tin with some of the biscuits so posh they warrant their own silver foil.”
Bigger isn’t always better: Francesca Peschier is underwhelmed by the humbug prince.
Just kidding: Liwaa Yazji’s exploration of the Syrian Civil War is compelling, confusing and, well, full of goats.