Gob Squad, Translations, and Maxine Peake inside a giant revolving mudheap: here are the shows you wouldn’t want to miss over the next fortnight.
As Karen Finley’s new show ‘Unicorn Gratitude Mystery’ comes to Femmetopia, she talks to the queer festival’s co-curator about American politics, princesses, and activist art.
New Rashdash, Sleepwalk Collective, Scottee, and so many more shows you wouldn’t want to miss over the next fortnight.
A new zine that’s all about sex, nudity and bodies in theatre, available exclusively to members of our Friends Scheme.
Exeunt’s writers pick some shows – from brave experiments to commercial mainstays – that they think deserved a better critical reception.
Exeunt’s writers get together for a cathartic collective airing of their long-harboured, but deeply petty theatre-related gripes.
It’s snowing. Again. But here are some shows our writers think it’s well worth venturing outside for.
PIP and petty crime: Chris Collett reviews a moving double bill at Newcastle’s Elevator Festival.
We polled our London writers on their top ten shows of 2017 – here are the results.
Serving as your annual reminder of all the brilliant theatre happening around the UK and Ireland, Exeunt’s critics select their favourite productions from outside of London in 2017.
Post-coital laziness, ragtime romps, and a deathly birthday party: here’s Exeunt’s dance critics on their favourite shows of 2017.
Get your mitts on some Exeunt zines from Christmases past, present and future – and support some really worthwhile festive causes.
The wait is over: Exeunt’s writers announce the winners of some highly prestigious (if unconventional) accolades.
As part of her series Stage Left, Jen Harvie interviews performance artist and activist Reverend Billy.
‘Wild Bore’ is a furious, filthy take-down of theatre reviewing at its worst. But how fair is it on critics? Exeunt’s writers discuss.