Uncomfortably familiar: Emily Holyoake writes on a revival of Mike Leigh’s play, alongside Safiyya Ingar’s one-woman response.
A collective of 12 women are challenging Nottingham’s art scene to change, with a brand new festival of female-led work.
Google it: Tangle Theatre’s three-man Marlowe gives Emily Holyoake a Faustian experience, she thinks.
That live experience heartache: Emily Holyoake reviews Documental Theatre’s radio play about a couple in crisis.
Freezing Ebeneezer: Wandering Tiger’s promenade Dickens adaptation is fun but frigid.
“An uncynical fever dream of childhood nostalgia”: Little Soldier’s festive show is full of throwback fun.
Dicking about: Exeter Northcott’s panto is a triumphant traditional treat.
Monkeying around: Gyre and Gimble’s latest puppetry-infused show is a total joy.
“The audience is both invited in and held at arm’s length”: Emily Holyoake reviews O&O’s devised piece about coping with looking different.
A small-scale, contemporary rags-to-riches story: Emily Holyoake reviews Tom Nicholas’s new play based around video games and depression.
A bold, bright, and boisterous show: Emily Holyoake reviews a circus-themed version of Shakespeare’s comedy.
Engagingly rebellious: Emily Holyoake reviews Tom Ross-Williams and Oonagh Murphy’s riotous participatory, patriarchy-smashing show at Exeter’s Boat Shed Theatre.
A beautifully nostalgic painting: Emily Holyoake reflects on Exeter Northcott’s fresh E. Nesbit adaptation and on the theatre’s recent resurrection as a producing house.
Emily Holyoake admits to not quite having the stomach for Chris Harrisson’s visceral storytelling.