Not that innocent: Emily Davis reviews The Famous Lauren Barri Holstein’s piece devised with young people, exploring ‘the risky parameter between appropriate and explicit’.
‘The beauty and grace comes from performers making performance work (play) on their own terms’: Emily Davis writes on Ellie Dubois’ feminist deconstruction of circus.
‘The most millennial millennial’: Emily Davis writes on Bebe Sanders’ one woman show about an intergenerational friendship
And all that jazz: Emily Davis reviews Little Bulb’s metatheatrical take on the Orpheus myth, set in a 1930s jazz bar.
Burgers and boxes: Emily Davis writes on Travis Alabanza’s solo show about trans experience and violence.