Sound issues aside, Eleanor Turney still has a “highly entertaining” evening with the Park Theatre’s staging of Jonathan Larson’s early musical.
The parallels with the contemporary world are frighteningly obvious in the Donmar’s production of Bertolt Brecht’s political satire.
Searching for meaning among the chaos: Eleanor Turney reviews Duncan Macmillan’s adaptation of Paul Auster’s book.
Eleanor Turney gets into the spirit of things with a shit-faced review of Shit-faced Shakespeare.
An absolute bastard, but a charming one: Eleanor Turney reviews David Tennant in Patrick Marber’s update of Molière.
Entirely unpromising: Eleanor Turney reviews a revival of the musical based on Billy Wilder’s The Apartment.
Dazzles in every sense: Eleanor Turney reviews the West End premiere of Dreamgirls.
“It’s hard not to be won over.” Eleanor Turney reviews Half A Sixpence at the Noel Coward Theatre.
The gradual erosion from longing: Eleanor Turney reviews Billie Piper’s “blindingly good performance” at the Young Vic.
Mary, Mary, quite contrary…Eleanor Turney reviews a truncated and sentimental musical version of The Secret Garden.
Incoming Festival 2016 opens tonight. Here’s our guide on what to see – from the young companies performing at the fest.
Eleanor Turney reviews Selina Thompson’s unapologetic and searching show about her Transatlantic journey retracing the Slave Triangle.
Another day, another meta-theatrical experience for Eleanor Turney at Mayfest 2016 with Stuart Bowden’s “lovely, if strange, show”.
Eleanor Turney reviews Tim Crouch and Spymonkey’s Shakespearian death countdown at Mayfest 2016.
“Heart-warming mix of sincerity and self-mockery”: Eleanor Turney reviews Jamie Wood’s show involving a bag load of audience participation.