New and unique and fascinating: Duška Radosavljević on Rachel Mars’s exploration of envy and desire.
Assured, accomplished and frighteningly fierce: Duška Radosavljević reviews the return of Seiriol Davies’s delightful musical extravaganza.
Defying Gravity: Duška Radosavljević reviews Kneehigh’s adaption of the life and love of Marc Chagall and Bella Rosenfeld.
Like a nice cup of cocoa: Duška Radosavljević reviews Theatre Fideri Fidera’s heart-warming family tale.
Translation and transcultural communication: Duška Radosavljević reviews the world premiere of a new work by Nassim Soleimanpour.
Duška Radosavljević reviews Louis Pearl’s bubble-blowing family spectacle.
“The best theatre ideas are often remarkably simple”: Duska Radosavljevic watches some toddlers crawl about on a giant, animation-filled screen at Imaginart’s Sensacional.
Existentialism and farts: Duška Radosavljević reviews Made in China’s slime-filled show.
“At any other time it would have been enough to just roll one’s eyes and move on. Not anymore.” Dramaturg and academic Duška Radosavljević responds to David Hare’s tirade against European-influenced director’s theatre.
Last month, debates on online theatre criticism raged after incendiary pieces by Michael Billington and Matt Trueman. In their wake, critics and academics Duška Radosavljević, Mark Fisher and Karen Fricker hold an international conversation about theatre, democracy and the role of criticality.
Graceful and elevating: Duska Radosavljevic reviews Arthur Pita’s dance version of The Little Match Girl.
Duška Radosavljević interviews Anne Peter, editor at German theatre publication nachtkritik.de, about how the site’s new model of criticism works – and the challenges of supporting high-quality journalism online.
Two-and-a-half year old J and six-month old K offer pint-sized perspectives on their Edinburgh Fringe theatre adventure.
The story machine: Duška Radosavljević reviews Nassim Soleimanpour’s Blank at Summerhall.
Duška Radosavljević reflects on Putting The Band Back Together, a community-building piece from Unfolding Theatre that’s full of loss, and hope.