“The best theatre ideas are often remarkably simple”: Duska Radosavljevic watches some toddlers crawl about on a giant, animation-filled screen at Imaginart’s Sensacional.
Existentialism and farts: Duška Radosavljević reviews Made in China’s slime-filled show.
“At any other time it would have been enough to just roll one’s eyes and move on. Not anymore.” Dramaturg and academic Duška Radosavljević responds to David Hare’s tirade against European-influenced director’s theatre.
Graceful and elevating: Duska Radosavljevic reviews Arthur Pita’s dance version of The Little Match Girl.
Duška Radosavljević interviews Anne Peter, editor at German theatre publication nachtkritik.de, about how the site’s new model of criticism works – and the challenges of supporting high-quality journalism online.
Two-and-a-half year old J and six-month old K offer pint-sized perspectives on their Edinburgh Fringe theatre adventure.
The story machine: Duška Radosavljević reviews Nassim Soleimanpour’s Blank at Summerhall.
Duška Radosavljević reflects on Putting The Band Back Together, a community-building piece from Unfolding Theatre that’s full of loss, and hope.
The post-apocalyptic planet: Duška Radosavljević reviews Ontroerend Goed’s new work.
Duška Radosavljević meets Cirrus the shepherd dog at the Royal Botanic Garden’s annual offering of children’s theatre.
Urgent, feminist, mouthy and angry: Duška Radosavljević reviews AJ Taudevin’s gig-theatre show at the Edinburgh Fringe.
This show should be prescribed on the NHS. Review by Duška Radosavljević.
A fine vintage: Duška Radosavljević reviews a revival of Derevo’s Once… first shown in 1998.
Duška Radosavljević flies off to planet baby theatre, and discovers a great show by the Scottish company Starcatchers.
The end of the world: Duška Radosavljević reviews Kieran Hurley’s new storytelling piece at Summerhall.