The limits of goodness: Duska Radosavljevic writes on a staging of Brecht by Moscow Pushkin Drama Theatre.
Duška Radosavljević writes a childs’ eye sketch of some of the kids’ shows of the 2018 Edinburgh fringe.
Story-time: Duška Radosavljević reviews a show by the ever-popular children’s author Julia Donaldson.
‘A superbly constructed essay on fandom’: Duška Radosavljević reviews Sh!t Theatre’s love letter to Dolly Parton.
Inclusive dance: this kids’ show by Indepen-dance 4 is full of grace and harmony.
Flowerpot-humping flair: Valentijn Dhaenens impersonates a politician in his surreal new show.
Duska Radosavljevic writes on a kids’ show where “natural, mythical and comical creatures morph into each other with as little as a wave of a pen.”
‘Theatre as a kind of utopia’: Duška Radosavljević reviews Taylor Mac as part of LIFT 2018.
‘The broken among us teach us to be human’: Duška Radosavljević reviews Anna Deavere Smith’s verbatim show as part of LIFT 2018.
More of an adventure story than a lullaby: Duska Radosavljevic reviews a new puppetry show about bedtime rituals for 2 – 5 year olds.
Just open your mind and say yes: Duška Radosavljević on an anarchic Calvin and Hobbes inspired performance for toddlers.
“Mama said you have to share”: Joakim and Katarina (aged 3.5 and 1.5) present a joint review of their festival experience.
32 years coming: Duška Radosavljević reviews Forced Entertainment’s Edinburgh Festival debut.
New and unique and fascinating: Duška Radosavljević on Rachel Mars’s exploration of envy and desire.
Assured, accomplished and frighteningly fierce: Duška Radosavljević reviews the return of Seiriol Davies’s delightful musical extravaganza.