For every play that makes it to the stage, there are many more languishing under commission. Duncan Gates makes a case for more transparency in new writing for theatre.
A small but perfectly formed verbatim play from Duncan Gates, to celebrate the 10th birthday of the short-form new writing nights.
Duncan Gates talks to the playwright about The Trial, adaptation, and ‘shared industry’
Duncan Gates pays a visit to “a weird-nerd’s wet dream of magical miscellany and film ephemera.”
Duncan Gates on how Reece Shearsmith, Steve Pemberton and theatre saved primetime TV (or at least made it more interesting).
Duncan Gates on classification, story-telling, and ‘the genre of theatre’.