Making people invisible.
A provocation about the intersection between criticism and politics.
Concept, context, play.
Kaite O’Reilly and Adrian Curtin on playing ‘The Maids’ and cross-cultural collaboration.
The poetics of our contemporary condition: instability, desire, displacement.
The internal world of the dancer.
Ballet and juggling.
The architecture of memory.
A series of public interventions.
A series of open-end questions: Mary Paterson introduces research project Something Other.
A textual intervention.
Thomas John Bacon on risk, transgression, failure and a festival of body art.