Amélie fans, look away now – it’s been adapted into a Disneyfied Broadway musical that’s “workmanlike at best”.
Dan O’Neil reviews Rachel Bonds’ “nighttime play with songs.”
Nicola Gunn moves through a moral conundrum. Dan O’Neil reviews.
Dan O’Neil reviews Dan LeFranc’s newest play.
Across-the-board uncertainty renders this Cherry Orchard unreadable