Unmoored: Crystal Bennes reviews a play loosely based on Hopscotch by Julio Cortázar.
Sleeping is a kind of time travel… Crystal Bennes reviews a spoken word performance by Rosy Carrick.
A sacred leaf: Colombian artist Miguel Hernando Torres Umba performs this exploration of the narcotrafficking industry.
Behind our Skin reveals ‘the power of simply telling stories.’
Language is the weapon of choice: Crystal Bennes reviews a school-set play about learning difficulties and parent-teacher confrontations.
Just plain fun: Crystal Bennes on a riotously camp version of Bram Stoker’s blood-sucking horror classic.
Olympian struggles: Henry Naylor’s play explores the histories of two female German Jewish athletes.
Sin, sex and death: Crystal Bennes on a concert-style production of the great opera.
An insight into life as a policeman proves there’s more to the army than the Military Tattoo.
A struggle against systems: James Fritz’s new play is a response to Paul Mason’s Why It’s Kicking Off Everywhere.
All a bit shallow: Crystal Bennes feels there’s something missing in Richard Marsh’s messianic poetry play.
The trouble with human progress: Crystal Bennes reviews New Diorama Theatre’s inspired take on Yuval Harari’s Sapiens.
The suffering of one or the agony of the many? Crystal Bennes on the complex moral dilemmas of Argonaut’s new play.