“Make Hibernia Great Again”: Chris McCormack reviews Ill-Advised Theatre Company’s post-truth satirical musical.
Memories aren’t to be trusted: Chris McCormack reviews a new work by Malaprop as part of the Dublin Fringe 2017.
Usual routines made uncanny: Chris McCormack reviews Junk Ensemble’s new work exploring violence in the military.
A brave new world: Chris McCormack starts off our coverage of the Dublin Fringe with a review of Simon Doyle’s radical rewriting of The Tempest.
An anxiety dream for the nation: Chris McCormack reviews Caroline Byrne’s new production of Teresa Deevy’s unsettling drama.
The escape plan: Chris McCormack reviews David Grieg’s play about life on a remote island.
Modern miseries and contemporary unrest: Chris McCormack reviews a new take on Georg Büchner’s Woyzeck.
Not the most exciting soiree… Chris McCormack sets up a party he’d rather not attend in bluemouth inc’s immersive experience.
Lost in translation: Chris McCormack finds muddled meanings in Romantika’s adaption of Tomas Tranströmer’s poetry.
Dream big, my son: Chris McCormack sees Trygve Wakenshaw take to the stage with a co-star toddler.
Illusions and worship: Chris McCormack reviews an acrobatic take on Fritz Lang’s Metropolis.
Like bottling a hurricane: a confused staging of the proto-absurdist classic.
Daniel Bye’s new performance is an exploration of borders, solidarity and revolt.
Inspired by a destroyed Syrian city, this playful performance burns with violence.
From prosperity to crash: Chris McCormack invests real money in Ontroend Goed’s immersive, banking-inspired show.